Bayrakdar, Gülümser Deniz

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Profile URL
https://hdl.handle.net/20.500.12469/6912
Name Variants
Bayrakdar, Gülümser Deniz
G.,Bayrakdar
G. D. Bayrakdar
Gülümser Deniz, Bayrakdar
Bayrakdar, Gulumser Deniz
G.,Bayrakdar
G. D. Bayrakdar
Gulumser Deniz, Bayrakdar
Bayrakdar, Deniz
Bayraktar, Gülümser Deniz
Bayrakdar, G. Deniz
Bayraktar, Gülümser Deniz
Bayrakdar, Deniz
Bayrakdar, D.
Job Title
Prof. Dr.
Email Address
Denı[email protected]
Main Affiliation
Radio, Television and Cinema
Status
Former Staff
Website
ORCID ID
Scopus Author ID
Turkish CoHE Profile ID
Google Scholar ID
WoS Researcher ID

Sustainable Development Goals

15

LIFE ON LAND
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0

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16

PEACE, JUSTICE AND STRONG INSTITUTIONS
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14

LIFE BELOW WATER
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6

CLEAN WATER AND SANITATION
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3

GOOD HEALTH AND WELL-BEING
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17

PARTNERSHIPS FOR THE GOALS
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1

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4

QUALITY EDUCATION
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2

ZERO HUNGER
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10

REDUCED INEQUALITIES
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2

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7

AFFORDABLE AND CLEAN ENERGY
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13

CLIMATE ACTION
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1

NO POVERTY
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9

INDUSTRY, INNOVATION AND INFRASTRUCTURE
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1

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12

RESPONSIBLE CONSUMPTION AND PRODUCTION
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8

DECENT WORK AND ECONOMIC GROWTH
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1

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11

SUSTAINABLE CITIES AND COMMUNITIES
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5

GENDER EQUALITY
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4

Research Products
This researcher does not have a Scopus ID.
This researcher does not have a WoS ID.
Scholarly Output

25

Articles

0

Views / Downloads

321/3510

Supervised MSc Theses

12

Supervised PhD Theses

0

WoS Citation Count

6

Scopus Citation Count

11

WoS h-index

2

Scopus h-index

2

Patents

0

Projects

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WoS Citations per Publication

0.24

Scopus Citations per Publication

0.44

Open Access Source

14

Supervised Theses

12

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Scholarly Output Search Results

Now showing 1 - 10 of 25
  • Thumbnail Image
    Editorial
    Refugees and Migrants in Contemporary Film, Art and Media Conclusion (speculative)
    (Amsterdam Univ Press, 2022) Burgoyne, Robert; Bayrakdar, Deniz
    [No Abstract Available]
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    Book Part
    Citation - WoS: 2
    Turkish Academics in Europe an Autumn Tale
    (Springer, 2006) Bayraktar, Gülümser Deniz
    [Abstract Not Available]
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    Book Part
    Migrant Bodies in the Land/City of 2000s Turkish Cinema
    (Taylor and Francis, 2025) Bayrakdar, D.
    In this essay, I explore the land-, sea-, and cityscapes in six films (five Turkish and one Turkish German)—Bliss, The Wound, Rıza, Broken Mus-sels, The Guest, and Seaburners—and their use of place and non-place. Hamid Naficy’s concept of transitional space and Marc Augé’s notion of non-place, based on Foucault’s concept of heterotopia, will be the basis of the theoretical discussion. I focus on what I see as a major shift in the representation of the migrant experience in the Turkish cinema of the early and late 2000s, a shift from the land- and cityscapes to films whose setting is the seascape. This shift, I argue, corresponds to changes in the phases of migration that flow within and through Turkey, and both government policies and the public perception. © 2022 The authors/Taylor & Francis Group.
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    Book Part
    Citation - Scopus: 2
    Conclusion (Speculative)
    (Taylor and Francis, 2025) Burgoyne, R.; Bayrakdar, D.
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    Book
    Refugees and Migrants in Contemporary Film, Art and Media
    (Taylor and Francis, 2025) Bayrakdar, D.; Burgoyne, R.
    Migration in the 21st century is one of the pre-eminent issues of our present historical moment, a phenomenon that has acquired new urgency with accelerating climate change, civil wars, and growing economic scarcities. Refugees and Migrants in Contemporary Film, Art and Media consists of eleven essays that explore how artists have imaginatively engaged with this monumental human drama, examining a range of alternative modes of representation that provide striking new takes on the experiences of these precarious populations. Covering prominent art works by Ai Weiwei and Richard Mosse, and extending the spectrum of representation to refugee film workshops on the island of Lésbos as well as virtual reality installations of Alejandro G. Iñárritu and works by Balkan and Turkish directors, such as Melisa Önel, the chapters included here focus on the power of aesthetic engagement to illuminate the stories of refugees and migrants in ways that overturn journalistic clichés. © 2022 The authors/Taylor & Francis Group.
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    Book Part
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    Master Thesis
    Agnès Varda and Essay film
    (Kadir Has Üniversitesi, 2021) Kaplama, Aslıhan Zeynep; Bayrakdar, G. Deniz
    In this thesis study, I explore the essay film as a form, specifically in the cinema of Agnès Varda. By demonstrating how Varda practices essayistic filmmaking, I discuss some definitions and characteristics of the essay film. Since the essay film crosses the boundaries and manages to take place either outside the scope of documentary or fiction, I discuss the essay film as an autonomous form instead of integrating it within the field of documentary filmmaking. I examine Varda's essayistic filmmaking practices through the instrumentality of essay film theory, which takes its source from the literary tradition and flourishes through analyzing the cinematic essay that combines the verbal and the visual in its unique structure. I focus on the film Visages Villages (2017) in terms of how the essay film blurs fact and fiction, objectivity and subjectivity, and establishes a dialogical (Bakhtin, 1929) relationship between spectator and image. Before analysis of the film, I present an overview of the historical background of the essay film practices and essay film theory, and draw an analogy between the avant-garde roots of the essay film and the position of Varda in the 1950s avant-garde cinema and the French New Wave movement. The focus of my thesis also follows an essayist approach, shifting between theories, film history, and Agnès Varda's personal story. Since Varda's essayist filmmaking merges documentary and fiction, still and moving images, reality and illusion, past and present on the surface of photographs/murals and her own filmic journey, the analysis of Visages Villages allows me to examine - in addition to essay film theory - intertextuality, landscape in the cinema, and the pastness and presentness of photographic and moving images.
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    Master Thesis
    Bu Çağrıya Cevap Ver Yeniden Yapımlarda Kahramanın Cinsiyet Değişimi ve Kadın Temsili: Ghostbusters Analizi
    (Kadir Has Üniversitesi, 2021) Yiğit, Baran Cem; Bayrakdar, G. Deniz
    In this study, how female characters are represented in a popular Hollywood movie and in the remake of this movie is examined. In this context, the main question of the study has been whether this is the main purpose of gender-swap reboots, which at first glance seems to be a move to increase the representation of women in cinema, and whether it affects the representation positively both numerically and qualitatively. On the theoretical basis of the study, together with the studies on the concept of representation; Studies on marginalization and gender representations, representation of the other in cinema and gender representations are included. Not only gender but also racial representations were evaluated, and previous studies on classical hero narratives and remakes were also included in order to get to the basis of the narrative structure of the films. In the light of these theoretical foundations, content analysis has been made on the films and many elements such as character construction, symbols and dialogues have been analyzed. In the analysis of the films, apart from gender and minority representations, some marketing strategies in the films and the messages in the subtexts were also interpreted. In the conclusion part, it has been determined that the aim of gender-swap reboots in this movie example is to create discourses that appeal to the ideologies that dominate the political and social environment of the period, or to achieve box office success with productions that will be embraced by those who belong to these ideologies but will be criticized by those from the segments with opposing ideologies. It is among the findings that the primary aim is to benefit from the binary polarization created by the current political environment instead of increasing the number and quality of women's representation in cinema, and that they exhibit a structure that does not diverge from the classical discourses that marginalize or stereotype. Keywords: Represantation, Gender, Feminist Theory, Queer Theory, Remakes, Reboots.
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    Master Thesis
    Borders as Blackholes: Contemporary Migratory Films in Turkey
    (Kadir Has Üniversitesi, 2016) Ayata, Azra; Bayrakdar, Gülümser Deniz
    European Union integration process foresees harmonization of nation-state's migration and asylum systems. In this sense, border controls are strengthened and non-European countries are included in these border regimes. As a candidate country, Turkey's migration and asylum system shows changes. As a result of these policies, new transition spaces, structures and definitions are generated. In accordance with changing socio-political environments; cinema reflects these changes. In this thesis, primarily focusing on Kumun Tadı (Melisa Önel, 2013) and Rıza (Tayfun Pirselimoğlu, 2007), I will examine how these films question produced structures and definitions of migration. In this sense, they offer "critical sites" to those newly established spaces.
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    Book Part
    İstanbul Convertible
    (Bağlam Yayıncılık, 2008) akçalı