Isleyen, BesteKaradag, Sibel2023-10-192023-10-19202310967-01061460-3640https://doi.org/10.1177/09670106231194911https://hdl.handle.net/20.500.12469/5461In February 2020, Turkey announced that the country would no longer prevent refugees and migrants from crossing into the European Union. The announcement resulted in mass human mobility heading to the Turkish border city of Edirne. Relying on freshly collected data through interviews and field visits, this article argues that the 2020 events were part of a state-led execution of 'engineered migration' through a constellation of actors, technologies and practices. Turkey's performative act of engineered migration created a spectacle in ways that differ from the spectacle's usual materialization at the EU's external borders. By breaking from its earlier role as a partner, the Turkish state engaged in a countermove fundamentally altering the dyadic process through which the spectacle routinely materializes at EU external borders around the hypervisibilization of migrant illegality. Reconceptualizing the spectacle through engineered migration, the article identifies two complementary acts by Turkish actors: the spectacularization of European (Greek) violence and the creation of a humanitarian space to showcase Turkey as the 'benevolent' actor. The article also discusses how the sort of hypervisibility achieved through the spectacle has displaced violence from its points of emergence and creation and becomes the routinized form of border security in Turkey.eninfo:eu-repo/semantics/openAccessMigrant IllegalityEngineered migrationGovernanceEuropean Unionmigration controlMigrant IllegalityspectacleGovernanceTurkeyArticleWOS:00107298660000110.1177/096701062311949112-s2.0-85171784175Q1Q1