Return To Reality: Towards a More Tactile Cognition of Film Theory
| dc.authorid | Akser, Murat/0000-0001-9772-394X | |
| dc.authorwosid | Akser, Murat/G-3490-2014 | |
| dc.contributor.author | Akser, Murat | |
| dc.contributor.author | Akser, Ali Murat | |
| dc.contributor.other | New Media | |
| dc.date.accessioned | 2023-10-19T15:12:59Z | |
| dc.date.available | 2023-10-19T15:12:59Z | |
| dc.date.issued | 2012 | |
| dc.department-temp | [Akser, Murat] Kadir Has Univ, Istanbul, Turkey | en_US |
| dc.description.abstract | Film theory has lost itself in the woods among debates of the mind and the senses. Ther are those who are interested in a more tactile sense of the real in film studies. This issue of CINEJ focuses on the documentary truth and how it aims to present us a real and a better world. | en_US |
| dc.identifier.citationcount | 0 | |
| dc.identifier.doi | 10.5195/cinej.2012.47 | en_US |
| dc.identifier.endpage | 2 | en_US |
| dc.identifier.issn | 2159-2411 | |
| dc.identifier.issn | 2158-8724 | |
| dc.identifier.issue | 2 | en_US |
| dc.identifier.startpage | 1 | en_US |
| dc.identifier.uri | https://doi.org/10.5195/cinej.2012.47 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.12469/5579 | |
| dc.identifier.volume | 1 | en_US |
| dc.identifier.wos | WOS:000446916900001 | en_US |
| dc.institutionauthor | Akser, Murat | |
| dc.khas | 20231019-WoS | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Univ Pittsburgh, Univ Library System | en_US |
| dc.relation.ispartof | Cinej Cinema Journal | en_US |
| dc.relation.publicationcategory | Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı | en_US |
| dc.rights | info:eu-repo/semantics/openAccess | en_US |
| dc.subject | cinema | en_US |
| dc.subject | philosophy | en_US |
| dc.subject | tactility | en_US |
| dc.subject | real | en_US |
| dc.title | Return To Reality: Towards a More Tactile Cognition of Film Theory | en_US |
| dc.type | Article | en_US |
| dc.wos.citedbyCount | 0 | |
| dspace.entity.type | Publication | |
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