İletişim Fakültesi

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Citation - WoS: 2
Visual Culture in Art Teacher Education: a Turkish Case
(Elsevier Science Bv, 2010) Kuru, Nur Balkır
As globalization impacts Turkish culture the training and preparation of art teachers is increasingly important because these individuals will play a key role in teaching children how to become visually literate in a quickly changing world. This paper explores the concept of visual culture in Turkey as perceived by eight art teacher instructors teaching at various public universities' educational faculties in Turkey. A phenomenological human science approach was employed in order to develop a description of the perception of visual culture and to predict the possibility of including visual culture studies in pre-service art education in Turkish universities. (C) 2010 Elsevier Ltd. All rights reserved.
Citation - WoS: 5
Citation - Scopus: 5
Policies of Media and Cultural Integration in Germany: From Guestworker Programmes To a More Integrative Framework
(Sage Publications Ltd, 2014) Bozdağ Bucak, Çiğdem
After the arrival of the first labour migrants in Germany in the 1960s a gradual change in the perception of migrants in German politics took place: from guests (Gastarbeiter) and foreigners (Ausländer) to citizens as members of a new form of 'us' that is constructed within diversity. These transformations were reflected in Germany's migration-related policies throughout recent history. This article focuses on media-related policies for cultural integration which go hand in hand with the developments in the general migration policy framework analysing different phases after the 1960s. In general we observe an increasing institutionalization of integration policies a more comprehensive understanding of the role of the media for integration purposes and a diversification of measures even more rapidly after the enactment of the Immigration Act in 2004. Cultural diversity is now emphasized as an enriching factor for the German mediascape. However there continues to be a need for long-term policies in order to improve media diversity in practice. © The Author(s) 2014.
Digital Transformations in Turkey: Current Perspectives in Communication Studies
(Wiley-Blackwell, 2016) İnceoğlu, İrem
[Abstract Not Available]
Citation - WoS: 2
Turkish Academics in Europe an Autumn Tale
(Springer, 2006) Bayraktar, Gülümser Deniz
[Abstract Not Available]
Citation - WoS: 2
Citation - Scopus: 4
Exploring the City: Perceiving Istanbul Through Its Cultural Productions
(Wiley-Blackwell, 2011) Şenova, Başak
This essay explores the role of Istanbul's 'cultural productions' as components of the city's structure and texture. Istanbul is a city of tensions generated by its countless conflicting and divergent flows which are constantly influenced by socio-economic political and cultural fusions and confusions. It is constantly expanding both horizontally and vertically as evidenced by its central and peripheral settlements illegal dwellings and squatted lands. With each and every new inhabitant further cumulative cultural input is added to the city which also blends social exclusion and transgression (together with axiomatic de facto regulations). The city 'operates' as a jumbled mode of excessive information
Citation - WoS: 1
Citation - Scopus: 1
Money Religion and Symbolic Exchange in Winter Sleep
(Berghahn Journals, 2017) Diken, Bülent
Winter Sleep is the latest film from Nuri Bilge Ceylan a Turkish director and screenwriter who has received international acclaim. For the purpose of social and cultural analysis this article critically focuses on the film's key themes and maneuvers that have diagnostic value from a social theoretical viewpoint. These themes are religion the relationship between religion and capitalism and symbolic exchange. Organized around these topics the article examines the religion-capitalism-symbolic exchange nexus by analyzing the motifs of formation intervention and intelligibility as these themes arise. This site of intersection is the conceptual pivot around which the article configures itself. It explores Winter Sleep based on what the film shows and says on screen how its thought processes emerge and at what points this thought supports or conflicts with dominant societal opinions.
NİTEL DÜŞÜNCE VE ETNOGRAFİ: ETNOGRAFİK YÖNTEME DÜŞÜNSEL BİR YAKLAŞIM
(Hacettepe Üniversitesi İletişim Fakültesi, 2017) Kartarı, Asker
Bu yazıda niteliksel düşüncenin ne olduğunu, nereden kaynaklandığını ve etnografi ile olan ilişkisini irdelemeye çalışacağım. “Bilgi”yi öznenin nesne ile kurduğu bağın ürünü olarak kabul edersek, amacım, öznenin, yani araştırmacının araştırma nesnesi ile bağ kurmak için kullandığı çıkış noktasının nesneyi anlamada ne kadar etkin olduğunu ortaya koymaktan ibarettir.
Yeni Medya ve Kullanıcı Türevli İçerik: Dokuz8haber Sitesi Örneğinde Yurttaş Gazeteciliği Üzerine Etnografik Bir İnceleme
(Uluslararası Kıbrıs Üniversitesi, 2015) Yanardağoğlu, Eylem
[Abstract Not Available]
Domestik Etnografi Örneği Olarak Ben Uçtum Sen Kaldın
(Hacettepe Üniversitesi İletişim Fakültesi, 2015) Koçer Çamurdan, Suncem
In what ways does documentary camera with its unique capacity to disentangle reality penetrate and reconstruct history? At the intersections of history and memory and of family and self, how do documentary narratives crafted through the pursuit of personal life stories, longed family members, and childhood recollections contest hegemonic ideologies about identity? This article focuses on I Flew You Stayed (2012) by Mizgin Müjde Arslan as a reflexive narrative of tracing longed family members and occult life stories. As Arslan searches for her family history to fill out painful gaps in her life journey through documentary practice, she ends up uncovering a restless history construed by ideologies that silence counter-hegemonic voices in unique ways.
Covering Turkey: the Dilemmas of Foreign Correspondents Between the Desk and the Field
(Galatasaray Üniversitesi İletişim Fakültesi, 2014) Yanardağoğlu, Eylem
In the last decade, Turkey’s appeal for international news organizations has risen dramatically. In 1991, there were 85 accredited foreign reporters based in Turkey, the number was recorded as 145 in 2000, 200 in 2005. At the end of 2013, there were 317 accredited members of the foreign media, working for 284 different media organizations. This study accounts for the noticeable increase in the number of foreign correspondents in Turkey. By analyzing data collected via 20 in-depth interviews and online questionnaires, it offers insight on the personal and professional characteristics and practices of foreign journalists covering Turkey. The findings suggest that correspondents “feel responsible” for explaining the complexities in Turkey for their audiences, highlighting the dilemmas between the “desk” and the “field”. They also indicate that Istanbul as an emerging global city does in its own right attracts new media connections.
Uluslararası İletişim ve Kamu Diplomasisi: Bbc Dünya Servisi Haber Merkezi Örneği
(Ankara Hacı Bayram Veli Üniversitesi İletişim Fakültesi, 2014) Yanardağoğlu, Eylem
Yirminci yüzyıldan başlayarak, devletlerin uluslararası alanda kamuoyu oluşturmanın önemine verdikleri değere paralel olarak ulus-ötesi yayıncılığa verdikleri önemin de arttığı gözlemlenmektedir. Bu bağlamda, genellikle uluslararası ilişkilerin alt alanı olarak görülen kamu diplomasisi, İkinci Dünya Savaşı’yla beraber bir iletişim stratejisi olarak önem kazanmıştır. Bu makale, uluslararası yayıncılık ve habercilik alanındaki ilk faaliyetlerin görüldüğü BBC Dünya Servisi’ni incelemekte, uluslararası iletişimin siyasi, teknolojik ve ekonomik etmenlerden dolayı değişen çalışma prensipleriyle kamu diplomasisi arasındaki ilişkiyi burada çalışan gazetecilerin deneyim ve görüşleriyle ele almaktadır. Bu makalede sunulan veriler BBC Dünya Servisi’nde 2011 ve 2012 yıllarında yapılan yerinde gözlem ve derinlemesine mülakatlara dayanmaktadır. Mülakatlar sonucu elde edilen bulgular, BBC Dünya Servisi’nde çalışan gazetecilerin kurumun haber kültürünün, BBC’den beklenen kamu diplomasisi fonksiyonuyla çelişmediğine inandıklarını, çünkü gerçek kamu diplomasisi hizmetinin “iyi gazetecilik” yapmak olduğunu düşündüklerine işaret etmektedir.
Citation - WoS: 10
Citation - Scopus: 16
Making Transnational Publics: Circuits of Censorship and Technologies of Publicity in Kurdish Media Circulation
(Wiley-Blackwell, 2013) Koçer Çamurdan, Suncem
Kurdish media producers who interweave social and political agendas with their filmmaking are often marginalized within Turkish media worlds. Impeded by national censorship these filmmakers move between national and transnational media worlds to advance their cinematic work. Such movement helps them create and maintain transnational publics that reinforce circulation of their media texts. Here I analyze how a documentary film about a seminomadic Kurdish community moves through international screening venues. As it journeys through film festivals in Europe its director Kazim oz accompanies it and through deliberate discourse attempts to increase and accelerate the film's transnational circulation. I explore the ways that oz discursively globalizes his film relates it to festival audiences flags the politics of Kurdish media production and seeks to construct a European public sensitive to the plight of Turkey's Kurds.
Citation - WoS: 2
Into the Body of Another: Strange Couplings and Unnatural Alliances of Harlequin Coat
(Palgrave, 2015) Baykan, Burcu
[Abstract Not Available]
Zihinsel Koleksiyonlar: Yeşilçam'dan Beyazcama
(Mehtap Yüksel, 2009) Kotaman, Aslı
Walter Benjamin, eşya koleksiyonculuğu yapan kişiler hakkında yazmış ve hayatından mutlu olmayan insanların eski objeleri toplayarak kendilerine alternatif bir yaşam kurduklarını ve bu yolla adeta geçmişi çağırdıklarını söylemiştir. Bu insanlar geçmişten topladıkları eşyaları bugünkü hayatlarına iliştirirler. Zihnimizde geçmişe dair bir izleği sürersek anıların bize bazen bir koku, bazen Proust’un madleni gibi bir tat ve çoğu zamansa görsel imgeler halinde gelmekte olduğunu görürüz. Bir şeyi gördüğünüzden yıllar sonra onu tekrar gördüğünüzde aslında onun zihninizde bıraktığı parçaları bütünlemektesinizdir. Yerli dramaların Yeşilçam’ın “altın yılları”ndaki melodram filmlerini hatırlatmaları da bu yüzdendir. Yeşilçam filmleri ile bugünün yerli dramalarının metinleri arasında bir bağ bulunmaktadır. Bu nedenle de yerli dramalar bugüne ait oldukları kadar geçmişe de aittirler. Anlatı ve estetik birliğinin ötesinde bir kültürel deneyim olarak incelediğimizde yerli dramalar ile Yeşilçam filmleri arasındaki benzerlik ilgi çekicidir.
Publishing Leaked Information as News: Sabotage or Journalistic Success?
(2013) Baybars Hawks, Banu; Smith, Ayten Gorgun
This article aims to analyse the universal news criteria regarding the transformation of information into news. In February 2013 the transcript of a meeting between 3 pro-Kurdish deputies and the jailed leader of the PKK (the Kurdistan Workers Party) was leaked to the Turkish press. This was published in Milliyet a national Turkish newspaper and has been interpreted as a forceful move to sabotage the positive atmosphere surrounding Turkey's latest efforts with the PKK to end a conflict that has lasted more than three decades andresulted in the deaths of almost 36000 people. The rationale for the leak was that although Turkey was going through a delicate time there were questions that needed to be answered but questions still remain: Who leaked the document and why and how? The media has been divided about whether the publishing of the leaked transcript represented an effort to sabotage the peace attempts with the PKK or whether it marked a moment of journalistic success. What ethical stance should be taken about the leak? Should the journalist have reported it in the name of professionalism in terms of 'informing the public' or should he have exercised restraint out of respect for the 'security of the state'? This article will examine those issues through an analytical approach and discuss the related attitudes of the foreign press.
(mis)communication Across the Borders: Politics Media and Public Opinion in Turkey
(International Institute of Informatics and Systemics IIIS, 2015) Baybars Hawks, Banu
During the 1990s advances in statistical and demographic analysis helped the development of an understanding of public opinion as the collective view of a defined population such as a particular demographic or ethnic group. In this view the influence of public opinion is not restricted to politics and elections. Public opinion is considered a powerful force in many other spheres such as culture fashion literature and the arts consumer spending and marketing and public relations. Attitudes and values play a crucial role in the development of public opinion. Different variables embedded in the political social and media structure of the country also have potential to make an impact on public opinion. These dynamics vary from the economics to the judicial system and democratic principles functioning in that country. On the other hand public opinion has a power to shape politics and media's priorities in reporting. The interaction among politics public opinion and media of one country can be better analyzed with the findings of public opinion research administered regularly. In Turkey the research on and analysis of public opinion are most frequent during the election times. Therefore it seems necessary to measure the public opinion more regularly to test the relationships among political public and media agendas. Accordingly the current study seeks to fill this gap. It is argued that in the absence of timely feedback from public surveys decisions and policies for improving different services and institutions functioning in the country might not achieve their expected goal. The findings of surveys may not only yield important insights into public's opinion regarding contemporary agendas of the country but also into the correlates shaping public policies. This article focuses on variables setting the current agenda in Turkey. For that purpose two surveys were carried out in December of 2014 and consecutively in April 2015 to determine the social and political trends and perceptions on gender issues in Turkey.
Citation - WoS: 3
Citation - Scopus: 3
Talking Fashion in Female Friendship Groups: Negotiating the Necessary Marketplace Skills and Knowledge
(Kluwer Academic Publishers, 2014) Yalkın, Çağrı; Elliott, Richard
This study revisits contexts of consumer socialization by focusing on fashion consumption among female teenagers. Focus groups and interviews have been utilized to collect data from 12- to 16-year-old female adolescents. The findings indicate that the adolescents cultivate both rational and symbolic skills within their friendship groups through friendship talk. The paper contributes to consumer socialization studies by examining the role of social relationships in and the accounts of the actual uses of fashion products. By doing so it extends scholars' policy makers' schools' and families' understanding of the dynamics involved in the building of young people's consumer identities and what type of issues they face as young consumers. Thus the study provides policy makers with information regarding how consumer skills and knowledge are cultivated and the role of the friendship group in cultivating them which can be used in formulating future policy aimed at consumer education literacy programmes and social marketing aimed at adolescents. © 2014 Springer Science+Business Media New York.
Citation - Scopus: 1
Rethinking Nationalist Ethno-Racist and Gendered Myths: an Art Historical Take on Minoritarian Variations From Turkey
(Taylor & Francis, 2017) Selen, Eser
[Abstract Not Available]
Citation - WoS: 1
Turkey in Europe, Europe in Turkey: History, Elites, and the Media
(Palgrave, 2015) Soysal, Levent; Özçürümez, Saime; Diner, Çağla
[Abstract Not Available]
Citation - Scopus: 2
Accented Essays: Documentary as Artistic Practice in Contemporary Audiovisual Works From Turkey
(Routledge Journals, Taylor & Francıs Ltd, 2019) Akçalı Kuyucu, Elif
This article looks at the use of documentary filmmaking in contemporary artistic practices in Turkey, specifically focusing on three works that adopt a first-person, subjective viewpoint: Didem Pekun's Of Dice and Men (2016), Sener ozmen's How to Tell of Peace to a Living Dove? (2015), and Aykan Safoglu's Off-White Tulips (2013). Made by artists in transition, these films tackle themes of belonging and identity through stylistic choices proper to essayistic filmmaking, which allow these works to be regarded as accented essays. The personal questions raised through the aesthetics they employ become relevant to collective issues of culture, history, and memory, offering an alternative understanding of the social context, which was largely affected by the political events during the period in which they were made.

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