WoS İndeksli Yayınlar Koleksiyonu

Permanent URI for this collectionhttps://gcris.khas.edu.tr/handle/20.500.12469/4465

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Now showing 1 - 16 of 16

Citation Count: 3
Activist communication design on social media: The case of online solidarity against forced Islamic lifestyle
(Sage Publications, 2021) Arda Güney, Talat Balca; Akdemir, Ayşegül
This article explores the relationship between connective and collective group identity through the example of “You Won’t Walk Alone,” a social media platform of solidarity for women suffering from the pressures of Islamic dress code in Turkey. While Turkey has a long history of conservative women’s initiatives against secular institutional code and of secular women against Islamic and misogynist social reactions, the social media platform You Won’t Walk Alone (Yalnız Yürümeyeceksin) illustrates a striking self-reflexivity of women mobilizing against their very own conservative communities. The research is based on multimodal content analysis of the posts including both images and texts in order to grasp to what extent social media offers a genuine public space for anonymous participants of the online platform as opposed to digitally networked movements which primarily reflect personalized agency. We analyze how connective and collective group identity can be correlated in this case in which online participants build solidarity by sharing content anonymously. Hence, this article questions the ways in which activist design of communication affects and shapes activism through this case study.
Citation Count: 0
BLENDING SCIENCE AND ART: AN EDUCATIONAL PERSPECTIVE
(Iated-Int Assoc Technology Education & Development, 2019) Şaher, Konca; Şaher, Konca; Mıhçı, Gürkan
rt and design education enable students to find creative and logical solutions to various design problems. The use of materials, constructive analysis, craftmanship, and originality are some key criteria in the process. Size and dimensionality, the proportion analysis, expression integrity, substantiality, and presentability can vary depending on the project and the context. As one of the methods used to provide targeted experience and learning in art and design education, interdisciplinary work presents a right ground for complex design issues. The workshop we carried out together with the Tubitak National Metrology Institution (UME) named "Art's Metrology, Metrology's Art" aimed to transform art, design, and science together into a product. As rational, natural, and appropriate connections can be established between art and science, students were asked to develop a method to meet the objectives and criteria of both around a certain conceptual focus. An important inclusive of the workshop was to have students observe, get informed, and engage in dialogue and ultimately increase their curiosity about a certain mechanism outside of their studies. The group dynamic in the process of creating three-dimensional and displayable works within a scheduled time was supported by a scientist from the metrology department, three art and design instructors, Konca Saher, Nur Balkir, and Gurkan Mihci from Kadir Has University. The finished works were then exhibited in the Tubitak-UME in Gebze compound. This study, which blends science and art, provided students with the opportunity to experiment with a science field, and to develop their predictions about their own disciplines. The paper will present the development and the outcome of the workshop.
Citation Count: 6
Contemporary art on the current refugee crisis: the problematic of aesthetics versus ethics
(British Journal of Middle Eastern Studies, 2019) Arda Güney, Talat Balca
This article focuses on contemporary artworks outlining the current refugee flow from the Middle East to the West namely to European countries together with the US and Canada. Drawing primarily on Jacques Ranciere's conceptualization of ethical art versus aesthetics I explore how various journeys of refugees in its many forms have been represented in the contemporary art scene. My aim is to concretize the theoretical debate surrounding the 'political' engagement of critical art on the issue of refugee representation through various prominent artworks and art practices starting with the well-known image of Alan Kurdi's and Ai Weiwei's replication of this image in his artwork. I will analyse when and in which configurations aesthetics and ethics can be found in contemporary art on the issue of the 'refugee crisis'. I argue that art on refugees can be grouped into two primary categories that I define as 'human condition assessment' and 'agency empowerment'. As such I demonstrate in practice how contemporary art on the current refugee crisis both employs and moves beyond the ethical subject matters by challenging abject victimhood as well as the ideal of egalitarian art for the underrepresented and thus assumingly voiceless depoliticized refugees.
Citation Count: 2
Cybernetic narrative Modes of circularity, feedback and perception in new media artworks
(Emerald Group Publishing Ltd, 2015) Selen, Eser
Purpose - The purpose of this paper is to explore how second-order cybernetics (von Foerster, 2002) functions in new media artworks, specifically through information, system and user. While formulating the relationship between new media artworks and the discourses surrounding cybernetics the paper analyzes Popp's (2006) Bit. Fall, Wojtowicz's (2007) Elsewhere News and Zeren Goktan's (2013) The Counter, as exemplars of alternative methods of narration. This study further argues that these new media artworks employ a cybernetic narrative via modes of "circularity," "feedback," and "perception." Design/methodology/approach - This paper offers a theoretical approach to new media art and cybernetics in order to analyze three select works. Since the works mentioned have diverse takes on the presented concepts each is discussed and analyzed in their frame of production in relation to cybernetics and new media standpoints. Findings - It is significant that these three artists attempt to invert the quotidian into the concept of new media while cybernetics facilitates their interactive art installations. The fully functioning circularity in these works breaks down the linear narrative structure while regenerating a non-linear narrative together with the flow of information, utilization of the systems and the user interaction. In these works narrative functions as a tool for interaction, which is cybernetically generated by the user (human) and the systems (machine). Originality/value - New media artworks at least suggest a possibility of observing contemporary art and its history in the making if not generating it altogether through cybernetic modes of "circularity," "feedback" and "perception." The experience of these artworks for each user differs depending on their choice to either reject or become immersed in the work. The possible sensoria, however, may still be betrayed by the mind's willingness to cooperate or at times by the ability to perceive.
Citation Count: 1
Hidden Archives, Closeted Desires, Postponed Utopias: Queer ultra-nationalism in Turkish opera
(2022) Altınay, Rüstem Ertuğ
How do queer intellectuals produce dramatic texts for utopian archival projects? How do (once) hidden theatre practices exist in a complicated relationship with the claims about covert or clandestine performances in the messy afterlives of such unorthodox archives? This essay explores such processes and how they unfolded in the context of Turkish opera by focusing on the work of Rıza Nur (1879-1942). Rıza Nur was a queer Turkish politician who created an archive of resistance to propagate his ultra-nationalist and eugenicist utopian vision for Turkey’s future during the country’s formative years. In addition to his proposed programs for Turkey’s revivification and the establishment of an ultra-nationalist party, the archive also included Nur’s memoirs, essays, poetry, and two of his librettos. Nur trusted this archive to multiple European libraries on the condition that it would not be accessible until 1960. Nur’s desire was that once his archive would become public, it would transform Turkish people’s understanding of the past, make them recognize him as an unappreciated true leader, and adopt his utopian vision. Rıza Nur’s librettos demonstrate how operatic writing can function as an undercover strategy of queer self-making. The librettos reveal how archives function not only as repositories but also as sites of production, and how dramatic texts can gain queer dimensions and political significance in relation to other texts. Archives can thus provide crucial insights into discrete theatre practices and create important opportunities to review and revise performance historiographies. Nevertheless, the limited scholarly attention Nur’s librettos have received suggests how disciplinary and methodological conventions may render dramatic texts invisible even when they are in plain sight. Finally, Nur’s ultra-nationalist and eugenicist utopian archive challenges the tendency to associate queer utopian performance with progressive politics.
Citation Count: 1
‘I am here’: women workers’ experiences at the former Cibali Tekel Tobacco and Cigarette Factory in Istanbul
(Routledge, 2017) Selen, Eser; O'Neil, Mary Lou
This study presents oral history research which investigated the experiences of surviving women workers from the former Cibali Tekel Tobacco and Cigarette Factory in Istanbul Turkey. For most of its history the factory was home to thousands of workers many of who were women and at times outnumbered men two to one. While the site is now known for the university that it houses photographs and archival records from the early twentieth century reveal the centrality of women in the process and production of tobacco and cigarettes until the factory completely shut down in 1995. Using oral history methods we recorded the memories of 17 women who worked in the factory. A multi-faceted analysis reveals the gendered nature of the space at the time as well as the importance of the factory as a place in the lives of these women. © 2017 Informa UK Limited trading as Taylor & Francis Group.
Citation Count: 2
Into the Body of Another: Strange Couplings and Unnatural Alliances of Harlequin Coat
(Palgrave, 2015) Baykan, Burcu
[Abstract Not Available]
Citation Count: 0
Money Religion and Symbolic Exchange in Winter Sleep
(Berghahn Journals, 2017) Diken, Bülent
Winter Sleep is the latest film from Nuri Bilge Ceylan a Turkish director and screenwriter who has received international acclaim. For the purpose of social and cultural analysis this article critically focuses on the film's key themes and maneuvers that have diagnostic value from a social theoretical viewpoint. These themes are religion the relationship between religion and capitalism and symbolic exchange. Organized around these topics the article examines the religion-capitalism-symbolic exchange nexus by analyzing the motifs of formation intervention and intelligibility as these themes arise. This site of intersection is the conceptual pivot around which the article configures itself. It explores Winter Sleep based on what the film shows and says on screen how its thought processes emerge and at what points this thought supports or conflicts with dominant societal opinions.
Citation Count: 1
Perception, petroleum, and power: Mythmaking in oil-scarce Turkey and Jordan
(Elsevier, 2020) Selen, Eser; Selen, Eser; Bowlus, John V.
Oil has been a cardinal driver of economic growth and national development in the twentieth and twenty-first centuries. States that produce oil in globally exportable quantities tend to be more powerful than those that do not. Oil-scarce states in the Middle East that neighbor oil-rich states and rely on them for imports create myths to explain their relatively unfortunate geology. This study illustrates and analyzes the myths that people in Turkey and Jordan have created to explain why they lack oil. In the process, it also explains the attitudes, beliefs, and social norms within these countries regarding oil. In both Turkey and Jordan, public understanding of why the country lacks oil forms a tautology about the relationship between oil and the nation's wealth and development, as well as its political, economic, and military power.
Citation Count: 0
Philosophical concerns in fine arts education
(Elsevier Science Bv, 2012) Kuru, Nur Balkır
Due to the rapid changes in society it is increasingly important to ask why we teach the way we do which teaching methods we should adopt and which we should reject or abandon. As a result it is crucial that philosophical concerns are integrated into art and design curricula. Novel interpretations and applications of teaching methodologies that will offer new and diverse art forms perspectives and worldviews are necessary. In what ways do philosophical theories influence critical analysis and create new opportunities for both educators and students? How can the so-called 'trendy' deconstructive approaches stemming from postmodern theories influence the variety of artistic and educational fields? This paper will examine the ties between philosophical theories and art education in order to examine possible pedagogical connections between theory and praxis. These possibilities are set out by means of specific applications or methodologies as practiced in inquiry-based art classes in higher education. (C) 2012 Published by Elsevier Ltd. Selection and/or peer review under responsibility of Prof. Ayse Cakir Ilhan
Citation Count: 16
The Politics of the Gezi Park Resistance: Against Memory and Identity
(Duke Univ Press, 2014) Eken, Bülent
[Abstract Not Available]
Citation Count: 3
“The Public Immoralist”: Discourses of Queer Subjectification in Contemporary Turkey
(University of Southern California, 2020) Selen, Eser
This study examines the forms of queer subjectification that have been molded through regular acts of gender- and sexuality-based violence against LGBTQ+ citizens as encouraged by the dominant religious and secular discourses in Turkey. Within that context, this article explicates the discursive mechanisms at work in the statements that were made by politicians and journalists between 2002 and 2018. In those discourses, the qualities attributed to nonheteronormative sexualities, such as perversion and disease, are perhaps the most widespread means of negating the existence of LGBTQ+ citizens and claiming that their lifestyles are “immoral.” Based on a case study that incorporates the existing historical and sociopolitical background, which props up a heteronormative patriarchal culture, this study critically analyzes the discourses that have emerged in a state of moral panic regarding queer in/visibilities, dis/appearances, and aversions/subversions in the Turkish sociopolitical sphere.
Citation Count: 15
The stage: a space for queer subjectification in contemporary Turkey
(Routledge Journals Taylor & Francis Ltd, 2012) Selen, Eser
This article focuses on the role of the stage in complex modes of gender performativity in the work of three Turkish performers: Zeki Muren (1931-1996) Bulent Ersoy (b. 1952) and Seyfi Dursunoglu (b. 1932) a.k.a. Huysuz Virjin [Cranky Virgin]. These three I suggest are the pioneers of contemporary Turkish queer performance. Their performances - both on-and off-stage - are validated through a reiterative absence of queerness in their everyday lives and stand in the midst of various negotiations between queers and the secular Islamic nation-state in Turkey. In the works of Muren Ersoy and Huysuz the stage is suggestive of a space where queerness can be managed. It is a contested space that does at least allow for the communication of queer ideas to a wider audience. I discuss the works of these three performers as three variations of queerness in Turkey in relation to different eras and different political climates that are directly related to the nation-state's desire to perform modernity. While explicating complicated modes of gender performativity I consider the stage as the primary space for a queer body to exist. Through this discussion I aim to activate debates both within and against the context of secular Islam on gendered political space and on those overlooked sexualized spaces in which the nation-state produces powerful yet unstable values to manage queer subjectivity in contemporary Turkey.
Citation Count: 2
Visual culture in art teacher education: A Turkish case
(Elsevier Science Bv, 2010) Kuru, Nur Balkır
As globalization impacts Turkish culture the training and preparation of art teachers is increasingly important because these individuals will play a key role in teaching children how to become visually literate in a quickly changing world. This paper explores the concept of visual culture in Turkey as perceived by eight art teacher instructors teaching at various public universities' educational faculties in Turkey. A phenomenological human science approach was employed in order to develop a description of the perception of visual culture and to predict the possibility of including visual culture studies in pre-service art education in Turkish universities. (C) 2010 Elsevier Ltd. All rights reserved.
Citation Count: 0
Walking in The Unknown Paths’: An Experimental Curriculum
(IATED-Int Assoc Technology Education A& Development, 2016) Kuru, Nur Balkır
How can we build a sense of perception through observing the 'seen' and the 'unseen' dimensions of the city? How can we perceive the living spaces with time and space in mind and capture the hidden meanings in the unknown paths of our city? How can we have the students input the imaginary and observed findings and have them read complex relations? What images are there to find and pull out to understand the realities of the living spaces hidden in the fragments of daily life? How can the architectural visual and environmental memory be linked with the current reality? How can a course curriculum be built around these questions in mind? The paper is an attempt to present how nature/culture/city may prompt the sensual side of students in various exercises and projects during a course and to understand how knowledge can be gained through reading complex relations in living spaces. The course projects designed to have students see and read the city and to enable them to search for the relations between what is seen and what is not will be presented. The overall aim is to provide insights into possibilities in art and design pedagogy and in building creative thinking. Creative thinking processes applied in drawing design and other disciplines and the relationships between words objects and memory in mixed media drawings will be explored.
Citation Count: 0
Wallace Stevens's Poetics of the Other
(Walter De Gruyter Gmbh, 2017) Eken, Bülent
This article reveals a central yet hitherto unsuspected meditation in Wallace Stevens on the problem of the other person in relation to the concept of the other construed by Gilles Deleuze as the "expression of a possible world" (1990: 308). It demonstrates that, seen from this perspective, the figure of subjectivity appears to be a rhetorical means in the service of a poetics centered on the other. In readings of Stevens, it traces the way in which he thinks through the question of the other and detects two main forms in which this is registered in the poems: the other is either associated with 'possibility', an occasion of euphoric affects, or with the foreclosure of a more fundamental reality, an 'outside', of which the other is merely a phenomenal representative and which occasions poignant affects. The reading of Stevens's late poem "Prologues to What Is Possible" shows that these two poles in relation to the other are juxtaposed in a paradigmatic manner.

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