İletişim Fakültesi

Permanent URI for this communityhttps://hdl.handle.net/20.500.12469/52

Browse

Now showing 1 - 18 of 18

Citation - WoS: 3
Citation - Scopus: 5
Activist Communication Design on Social Media: the Case of Online Solidarity Against Forced Islamic Lifestyle
(Sage Publications, 2021) Arda Güney, Talat Balca; Akdemir, Ayşegül
This article explores the relationship between connective and collective group identity through the example of “You Won’t Walk Alone,” a social media platform of solidarity for women suffering from the pressures of Islamic dress code in Turkey. While Turkey has a long history of conservative women’s initiatives against secular institutional code and of secular women against Islamic and misogynist social reactions, the social media platform You Won’t Walk Alone (Yalnız Yürümeyeceksin) illustrates a striking self-reflexivity of women mobilizing against their very own conservative communities. The research is based on multimodal content analysis of the posts including both images and texts in order to grasp to what extent social media offers a genuine public space for anonymous participants of the online platform as opposed to digitally networked movements which primarily reflect personalized agency. We analyze how connective and collective group identity can be correlated in this case in which online participants build solidarity by sharing content anonymously. Hence, this article questions the ways in which activist design of communication affects and shapes activism through this case study.
The American Passport in Turkey: National Citizenship in the Age of Transnationalism
(Routledge Journals, Taylor & Francıs Ltd, 2020) Yanardağoğlu, Eylem
[Abstract Not Available]
Citation - WoS: 33
Citation - Scopus: 32
Bottom-Up Nationalism and Discrimination on Social Media: an Analysis of the Citizenship Debate About Refugees in Turkey
(Sage Publications Ltd, 2020) Bozdağ Bucak, Çiğdem
This study analyzes social media representations of refugees in Turkey and discusses their role in shaping public opinion. The influx of millions of Syrian refugees in Turkey has created heated debates about their presence and future in the country. One of these debates was triggered by President Erdogan's statement that Turkey would issue citizenship rights to Syrians in July 2016. Due to a lack of critical voices about refugee issues in Turkey's mass media sphere, social media has become a key platform for citizens to voice their opinions. Through a discourse analysis of tweets about the issue of refugees' citizenship, I will map different perceptions of refugees in Turkey. I argue that despite contesting discourses about Syrians, the debate on social media reinforces nationalism and an ethnocentric understanding of citizenship in Turkey. As the number of refugees and migrants increases rapidly worldwide, they become the new 'others' of national imagined communities. Social media becomes a key communication space where the nation is discursively constructed in a bottom-up manner through manifestations of 'us' and 'them'. The analysis shows that social media contributes to trivialization and normalization of discrimination and hatred against Syrian refugees through disseminating overt discourses of 'Othering'. Social media also enables more covert forms of discrimination through 'rationalized' arguments that are used to justify discrimination through the basis of false/non-verified information. Thus, Twitter becomes a space for critical, bottom-up, yet nationalistic and discriminatory statements about refugees.
Citation - WoS: 6
Citation - Scopus: 9
Contemporary Art on the Current Refugee Crisis: the Problematic of Aesthetics Versus Ethics
(British Journal of Middle Eastern Studies, 2019) Arda Güney, Talat Balca
This article focuses on contemporary artworks outlining the current refugee flow from the Middle East to the West namely to European countries together with the US and Canada. Drawing primarily on Jacques Ranciere's conceptualization of ethical art versus aesthetics I explore how various journeys of refugees in its many forms have been represented in the contemporary art scene. My aim is to concretize the theoretical debate surrounding the 'political' engagement of critical art on the issue of refugee representation through various prominent artworks and art practices starting with the well-known image of Alan Kurdi's and Ai Weiwei's replication of this image in his artwork. I will analyse when and in which configurations aesthetics and ethics can be found in contemporary art on the issue of the 'refugee crisis'. I argue that art on refugees can be grouped into two primary categories that I define as 'human condition assessment' and 'agency empowerment'. As such I demonstrate in practice how contemporary art on the current refugee crisis both employs and moves beyond the ethical subject matters by challenging abject victimhood as well as the ideal of egalitarian art for the underrepresented and thus assumingly voiceless depoliticized refugees.
Digital Transformations in Turkey: Current Perspectives in Communication Studies
(Wiley-Blackwell, 2016) İnceoğlu, İrem
[Abstract Not Available]
Citation - WoS: 20
Citation - Scopus: 22
Editorial Introduction. Representations of Immigrants and Refugees: News Coverage Public Opinion and Media Literacy
(DE GRUYTER MOUTON, 2018) Smets, Kevin; Bozdağ Bucak, Çiğdem
[Abstract Not Available]
Forum: Visualizing History Visualizing Nation
(Routledge Journals Taylor & Francis Ltd, 2014) Spence, Louise
[Abstract Not Available]
Citation - WoS: 8
Citation - Scopus: 20
Gezi Movement and the Networked Public Sphere: a Comparative Analysis in Global Context
(Sage Publications Ltd, 2016) Vatikiotis, Pantelis; Yoruk, Zafer F.
The article draws on Gezi protests that took place in Turkey during the summer of 2013 inquiring the extent to which they were part of a global cycle of contention that has shocked the world the last 5 years. In this regard concepts and constructs of social movement new media networking and public sphere provide analytical tools to probe into the area. Issues that are addressed and critically discussed include the evaluation of the contemporary protest movements in terms of the global diffusion of neoliberal capitalism the intersection of social media and collective action and the critical reflection on the interplay between physical and mediated facets of action.
Citation - WoS: 11
Citation - Scopus: 12
(il)legitimisation of the Role of the Nation State: Understanding of and Reactions To Internet Censorship in Turkey
(Sage Publications Ltd, 2014) Yalkın, Çağrı; Kerrigan, Finola; vom, Lehn Dirk
This study aims to explore Turkish citizen-consumers' understanding of and reactions to censorship of websites in Turkey by using in-depth interviews and online ethnography. In an environment where sites such as YouTube and others are increasingly being banned the citizen-consumers' macro-level understanding is that such censorship is part of a wider ideological plan and their micro-level understanding is that their relationship with the wider global network is reduced in the sense that they have trouble accessing full information on products services and experiences. The study revealed that citizen-consumers engage in two types of resistance strategies against such domination by the state: using irony as passive resistance and using the very same technology used by the state to resist its domination.
Citation - WoS: 18
Citation - Scopus: 24
Kurdish Cinema as a Transnational Discourse Genre: Cinematic Visibility, Cultural Resilience, and Political Agency
(Cambrıdge Univ Press, 2014) Koçer Çamurdan, Suncem
Within the last few years, "Kurdish cinema" has emerged as a unique discursive subject in Turkey. Subsequent to and in line with efforts to unify Kurdish cultural production in diaspora, Kurdish intellectuals have endeavored to define and frame the substance of Kurdish cinema as an orienting framework for the production and reception of films by and about Kurds. In this article, my argument is threefold. First, Kurdish cinema has emerged as a national cinema in transnational space. Second, like all media texts, Kurdish films are nationalized in discourse. Third, the communicative strategies used to nationalize Kurdish cinema must be viewed both in the context of the historical forces of Turkish nationalism and against a backdrop of contemporary politics in Turkey, specifically the Turkish government's discourses and policies related to the Kurds. The empirical data for this article derive from ethnographic research in Turkey and Europe conducted between 2009 and 2012.
Citation - WoS: 10
Citation - Scopus: 16
Making Transnational Publics: Circuits of Censorship and Technologies of Publicity in Kurdish Media Circulation
(Wiley-Blackwell, 2013) Koçer Çamurdan, Suncem
Kurdish media producers who interweave social and political agendas with their filmmaking are often marginalized within Turkish media worlds. Impeded by national censorship these filmmakers move between national and transnational media worlds to advance their cinematic work. Such movement helps them create and maintain transnational publics that reinforce circulation of their media texts. Here I analyze how a documentary film about a seminomadic Kurdish community moves through international screening venues. As it journeys through film festivals in Europe its director Kazim oz accompanies it and through deliberate discourse attempts to increase and accelerate the film's transnational circulation. I explore the ways that oz discursively globalizes his film relates it to festival audiences flags the politics of Kurdish media production and seeks to construct a European public sensitive to the plight of Turkey's Kurds.
Citation - WoS: 1
Neo-Despotism as Anti-Despotism
(Sage Publications, 2021) Diken, Bülent
I treat despotism as a virtual concept. Thus it is necessary to expose its actualizations even when it appears as its opposite, refusing to recognize itself as despotism. I define despotism initially as arbitrary rule, in terms of a monstrous transgression of the law. But since the monster is grounded in its very formlessness, it cannot be demonstrated. However, one can always try to de-monstrate it through disagreements. In doing this, I deal with despotism not as a solipsistic undertaking but as part of a constellation that always already contains two other elements: economy and voluntary servitude. I give three different – ancient, early modern and late modern – accounts of this nexus, demonstrating how despotism continuously takes on new appearances. I conclude, in a counter-classical prism, how the classical nexus has evolved in modernity while the focus gradually shifted towards another triangulation: neo-despotism, use and dissent.
Citation - WoS: 48
Citation - Scopus: 55
Pathways of Connection: an Analytical Approach To the Impacts of Public Diplomacy
(Elsevier Science Inc, 2015) Sevin, Efe
Public diplomacy albeit its functional similarities with public relations and other corporate communication tools is inherently a foreign policy tool used by practitioner states to advance their national interests and achieve their foreign policy goals. The purpose of this theoretical article is to provide a framework to analyze the impacts of public diplomacy projects by acknowledging both its communication aspect and political nature. The pathways of connection framework is built in two-steps. First the public diplomacy concept is situated in international politics by evaluating the concept through mainstream international relations theories. This evaluation yields three areas on which public diplomacy projects might have an impact. Second the existing academic and practical measurement models are categorized under these areas and two pathways per area are presented. The theoretical framework can be used to understand different outcomes of public diplomacy projects and to provide a more accurate measurement of their success. (c) 2015 Elsevier Inc. All rights reserved.
Citation - WoS: 1
Citation - Scopus: 2
Perception, Petroleum, and Power: Mythmaking in Oil-Scarce Turkey and Jordan
(Elsevier, 2020) Ediger, Volkan S.; Selen, Eser; Bowlus, John V.
Oil has been a cardinal driver of economic growth and national development in the twentieth and twenty-first centuries. States that produce oil in globally exportable quantities tend to be more powerful than those that do not. Oil-scarce states in the Middle East that neighbor oil-rich states and rely on them for imports create myths to explain their relatively unfortunate geology. This study illustrates and analyzes the myths that people in Turkey and Jordan have created to explain why they lack oil. In the process, it also explains the attitudes, beliefs, and social norms within these countries regarding oil. In both Turkey and Jordan, public understanding of why the country lacks oil forms a tautology about the relationship between oil and the nation's wealth and development, as well as its political, economic, and military power.
Citation - WoS: 17
Citation - Scopus: 22
The Politics of the Gezi Park Resistance: Against Memory and Identity
(Duke Univ Press, 2014) Eken, Bülent
[Abstract Not Available]
Citation - WoS: 3
Citation - Scopus: 4
Pushing the Boundaries of the Historical Documentary: Su Friedrich's 1984 the Ties That Bind
(Routledge Journals Taylor & Francis Ltd, 2012) Spence, Louise; Cengiz, Esin Paça
This article argues that Su Friedrich's 1984 film The Ties That Bind employs what were at the time atypical forms and techniques to push the limits of the traditional historical documentary. Its aesthetic experimentation helps to redefine the idea of historical representation in film and does so mainly by treating evidence as both partial (in both senses of the word) and contingent offering a radical challenge to normative history and destabilizing the notion of history as authority. Unlike conventional documentaries the film marks its own limitations: its inability to provide stable answers or eternal certainties. Questioning her mother's spoken memories and commenting on them Friedrich forces a rupture in the 'evidence' of history and establishes a place in which to 'speak' herself. By including the past that her mother is talking about on the sound track as well as the present on the image track (such as images of her mother's life in the early 1980s images of intertitles etched into the film emulsion revealing the questions Friedrich asked her mother and her reactions to the things her mother said as well as images of the filmmaker's visits to historical sites) Friedrich brings the present into the past and demonstrates how history is to quote Walter Benjamin 'time filled with the presence of the now'.
Citation - WoS: 15
Citation - Scopus: 24
Social Business in Online Financing: Crowdfunding Narratives of Independent Documentary Producers in Turkey
(Sage Publications Ltd, 2015) Koçer Çamurdan, Suncem
Crowdfunding is a relatively novel concept in Turkish public discourse. Yet activist media producers in Turkey actively use online opportunities to solicit production post-production and distribution financing. This article explores crowdfunding as a signifier that draws public attention to media texts for which online funding drives are performed. As crowdfunding campaigns circulate through social media they forge publics around the related films videos stories and more significantly the social causes around which these media revolve. Based on long-term ethnographic research with independent media producers in Turkey the article scrutinizes the crowdfunding adventures behind three documentaries My Child Ecumenopolis and I Flew You Stayed as narrated by their producers. Using the analysis of the campaigns for these documentary films as cases I argue that in addition to being a means to raising funds crowdfunding is a tool to accomplish social and political ends ranging from creating communities of support and attracting media attention to building a reputation of independence.
Citation - WoS: 11
Citation - Scopus: 14
The Talking Witness Documentary: Remembrance and the Politics of Truth
(Routledge Journals Taylor & Francis Ltd, 2013) Spence, Louise; Avci, Asli Kotaman
This article argues that the conventional talking witness documentary by relying on memory of experience as evidence employs an inherently conservative politics of truth. Using a recent Kurdish video 5 No.lu Cezaevi/Prison No. 5 (Cayan Demirel 2009) as a case study it considers the opportunities and limitations of the talking witness form as well as its appeals. The essay pays special attention to the documentary's use of mimetic' affective engagement to break into the moral and conceptual space of trauma and the harrowing experiences of men and women who were incarcerated in the notorious Diyarbakr prison in eastern Turkey in the aftermath of the 1980 Turkish coup d'etat thus endeavoring to at once fix and disseminate memories of a violent past that run counter to state-authored versions of that history.

Browse

Browsing İletişim Fakültesi by WoS Q "Q1"