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Selen, Eser
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Selen, Eser
E.,Selen
E. Selen
Eser, Selen
Selen, Eser
E.,Selen
E. Selen
Eser, Selen
E.,Selen
E. Selen
Eser, Selen
Selen, Eser
E.,Selen
E. Selen
Eser, Selen
Job Title
Doç. Dr.
Email Address
Main Affiliation
Visual Communication Design
Status
Former Staff
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ORCID ID
Scopus Author ID
Turkish CoHE Profile ID
Google Scholar ID
WoS Researcher ID
Sustainable Development Goals
5
GENDER EQUALITY
2
Research Products
9
INDUSTRY, INNOVATION AND INFRASTRUCTURE
1
Research Products
10
REDUCED INEQUALITIES
3
Research Products
11
SUSTAINABLE CITIES AND COMMUNITIES
1
Research Products
17
PARTNERSHIPS FOR THE GOALS
2
Research Products
This researcher does not have a Scopus ID.
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Scholarly Output
20
Articles
8
Views / Downloads
160/2752
Supervised MSc Theses
7
Supervised PhD Theses
1
WoS Citation Count
28
Scopus Citation Count
35
WoS h-index
2
Scopus h-index
2
Patents
0
Projects
0
WoS Citations per Publication
1.40
Scopus Citations per Publication
1.75
Open Access Source
12
Supervised Theses
8
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| Journal | Count |
|---|---|
| Gender, Place & Culture | 2 |
| Cultural Trends | 1 |
| Energy Research & Social Science | 1 |
| Equality, Diversity and Inclusion: An International Journal | 1 |
| Kybernetes | 1 |
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Now showing 1 - 10 of 20
Article Citation - WoS: 1Citation - Scopus: 1Workplace Microaggressions Against LGBTI Plus Employees in Turkey: a Thematic Analysis of Environmental and Interpersonal Discrimination(Emerald Group Publishing Ltd, 2025) Selen, Eser; O'Neil, Mary Lou; Ergun, ReydaPurposeThe current study aimed to determine the extent and scope of microaggressions in the workplace directed towards LGBTI+ employees in Turkey.Design/methodology/approachThe research used both quantitative and qualitative data based on 664 statements made by individuals in the "The Situation of LGBTI+ Employees in the Private and Public Sector in Turkey" survey conducted between 2015 and 2020 (n = 2,695). The quantitative data consist of frequencies and the qualitative data center on answers to nine open ended questions regarding LGBTI+ individuals' experiences of discrimination in the workplace. We employed the taxonomy proposed by Nadal et al. (2010) to determine which actions constituted microaggressions and the form they took. We also conducted a critical discourse analysis of the open-ended questions where individuals described their experiences of microaggressions.FindingsMicroaggressions directed at LGBTI+ employees are pervasive in Turkey. Microaggressions largely follow the taxonomy created by Nadal et al. (2010) although we did not find microaggressions in all of the taxonomy's categories. We found that microaggressions mostly take the form of phobic language and mockery followed by heteronormativity, exoticization and disapproval. Two further categories, othering and threatening behaviors, emerged from our data.Originality/valueThis study addresses a significant gap in the literature on workplace microaggressions against LGBTI+ individuals, particularly in non-Western contexts. To our knowledge, it is the first study of its kind conducted in a non-Western Muslim-majority country. The research uniquely captures and critically analyzes the lived experiences of LGBTI+ employees through their own narratives, examining how microaggressions manifest as discriminatory discourses in the workplace.Master Thesis An Exploration of Space in Murakami's the Wind-Up Bird Chronicle and After Dark(Kadir Has Üniversitesi, 2019) Tüfekçioğlu, Burcu; Selen, EserBu çalışma, Haruki Murakami'nin iki farklı eserinin yakın okumasını yaparak, eserlerdeki mekânlar ve karakterler arasındaki ilişkiyi ve bu karşılıklı ilişkili olma durumunun önemini ortaya koymak amacıyla sunulmuştur. Zemberek Kuşunun Güncesi (1994-95) ve Karanlıktan Sonra (2004) adlı romanlar arasındaki benzerlikler bu amaç doğrultusunda incelenmiştir. Bu tezde Henri Lefebvre'nin mekân teorisi üzerinden eserlerdeki mekânların ve karakterlerin birbirlerini nasıl eş zamanlı olarak ürettikleri karşılaştırmalı bir biçimde ele alınmaktadır. Yıllar boyunca, Murakami kitaplarının kendine özgü bir dünyaya sahip olduğu iddia edilmiştir. Bu çalışmada, kitaplardaki karakterlerin ve mekânların birbirleri sayesinde nasıl kendilerini var ettikleri açıklanmaktadır. Karakterlerin ortaya çıkması için mekânın zorunlu olduğunu öne sürmekle birlikte, çalışma, aynı şekilde karakterlerin de mekânın üretilmesi için zorunlu olduğunu savunuyor. Araştırmadan beklenen sonuç, her iki romandaki mekânlar ve karakterler arasında etkileşimin benzeşen yönlerini ortaya çıkarmaktır.Master Thesis Waking Life ve A Scanner Darkly Filmlerinde Rotoskop Tekniğinin Kullanımının Anlatıya Etkisi(Kadir Has Üniversitesi, 2019) Uçar, Zeynep; Selen, Eser1915 yılında Max Fleischer tarafından geliştirilen ve günümüzde hem elde hem de dijital olarak üretimi sürdürülen rotoskop tekniği, oyuncunun filme alınmış performansının projeksiyon yardımıyla cam bir yüzeyin arkasına yansıtılarak tek seferde tek kare olmak üzere görüntünün üzerinden elde çizim yapılmasına olanak tanıyan bir yöntemdir. Yöntem, diğer tekniklerden hareketin çizgi karaktere kopyalandığı süreçte fotoğrafik görüntünün çizgisel form ile bastırılması yoluyla ayrışmaktadır. Bu durum, görüntünün varlık-yokluk, gerçeklik- temsil, görüntülenen öznenin yahut animatörün varlığı gibi ikilikler arasındaki gerilimden beslenerek muğlak bir görsel izlenim yaratmasına neden olmaktadır. Ayrıca, yöntem, animasyonun erken dönemlerinde, tekniğin ontolojisi göz önünde bulundurulmaksızın, yalnızca hareket kesitleri arası geçişin akışkan ve gerçekçi bir biçimde gerçekleşmesini sağlamak için kullanılmıştır. Bu nedenle dijital çağa geçilmesi ile birlikte haraket yakalama [motion capture] gibi tekniklerin kullanılmaya başlamasıyla yalnızca rotoskop tekniği kullanılarak üretilen animasyon sayısında düşüş gözlenmektedir. Buradan hareketle, dijital çağa geçilmesinden itibaren yalnızca rotoskop tekniği kullanılan animasyonlar, tekniğin ontolojisini anlam yaratmaya yönelik bir biçimde kullanmaya başlamışlardır. Waking Life (Linklater, 2001) ve A Scanner Darkly (Linklater, 2006) gibi rotoskop tekniğini kullanan ve karakterlerin uyuşturucu ve rüyalar dolayımıyla içinde bulundukları gerçeklik ile olan ilişkilerini merkezine alan animasyonların, anlatılarında, görüntünün kullanmakta olduğu fotoğrafik imge ile olan ilişkisinden, algısal alana dair ve çizgisel olanın bir arada bulunmasının sağladığı muğlak izlenimden yararlanılmaktadır. Bu ilintiden yola çıkılarak yapılacak araştırmanın amacı rotoskop tekniğinin algı ile nasıl bir ilişki kurduğunu ve bahsi geçen filmlerin anlatısında sinemanın deneyim ile ilişkisi üzerine ne gibi söylemler üretilmesini sağladığını, Maurice Merleau-Ponty, Andre Bazin, Walter Benjamin gibi kuramcıların imge üzerine teorileri doğrultusunda kavramaktır.Book Part Occupied Experiences Displays of Alternative Resistance in Works by Palestinian and Jewish Israeli Artists(Routledge, 2017) Selen, Eser[Abstract Not Available]Master Thesis Mediating Eversion :an Analysis of Virtual Reality in Bodily Experience(Kadir Has Üniversitesi, 2016) Andıç, Atanur; Selen, EserThis study is an analysis of perceptual and behavioral understanding of audio-visual mediations from the subject’s (user/viewer) perspective. The aim is to analyze the processes in the perception of the content and form of the media as well as how their physical mass are received. in the tracked evolvement of media the concept of “eversion” by Marcus Novak is introduced to analyze the Head Mounted Display (HDM) media as they are more adaptable to their subjects. Maurice Merleau-Ponty’s understanding of perception and existence are being used in defining the notion of experience. The thesis states that the subjects in experience of the HMD media perceptually are in control of the narrative while being re-embodied through the spatial elements of polysemous content. in the conclusion how spatiality of content become a performative value is reached.Book Part Citation - Scopus: 1Rethinking Nationalist Ethno-Racist and Gendered Myths: an Art Historical Take on Minoritarian Variations From Turkey(Taylor & Francis, 2017) Selen, Eser[Abstract Not Available]Article Citation - WoS: 1Citation - Scopus: 2Perception, Petroleum, and Power: Mythmaking in Oil-Scarce Turkey and Jordan(Elsevier, 2020) Ediger, Volkan S.; Selen, Eser; Bowlus, John V.Oil has been a cardinal driver of economic growth and national development in the twentieth and twenty-first centuries. States that produce oil in globally exportable quantities tend to be more powerful than those that do not. Oil-scarce states in the Middle East that neighbor oil-rich states and rely on them for imports create myths to explain their relatively unfortunate geology. This study illustrates and analyzes the myths that people in Turkey and Jordan have created to explain why they lack oil. In the process, it also explains the attitudes, beliefs, and social norms within these countries regarding oil. In both Turkey and Jordan, public understanding of why the country lacks oil forms a tautology about the relationship between oil and the nation's wealth and development, as well as its political, economic, and military power.Book Part Occupied Experiences: Displays of Alternative Resistance in Works by Palestinian and Jewish Israeli Artists(Taylor & Francis, 2016) Selen, Eser[Abstract Not Available]Doctoral Thesis Fantasy Setting Narrative Space in the Queer Cinema of the Usa (1990s–2010s)(Kadir Has Üniversitesi, 2016) Küçük, Ahmet Serdar; Selen, EserFantasy Setting Narrative Space in the Queer Cinema of the USA (1990s–2010s) investigates the origins and functioning of particular choices of setting fantasy elements and non-linear narrative structures in the queer cinema of the United States from the 1990s to 2010s. The study aims to identify a comprehensive counter-culture utopianism in queer cinema with selected examples from American and to a lesser degree world cinema. What is common in the selected films is the notion of escape and the creation and utilization of alternative spaces in which queer-identified characters can take refuge. in the context of the study escape and alternative spaces are associated with revolutionary practices in light of arguments that are derived from the work of Gilles Deleuze Félix Guattari José Muñoz and to some extent Marc Augé. The selection of films which also includes some queer classics such as The Living End The Watermelon Woman and Shortbus are assessed through a combination of formalist and contextualist approaches. The formal analyses of the films concentrate on various queer film settings ranging from the road and the stage to the prison and the concentration camp as well as several counter-narrative strategies such as parody pastiche and narrative intransitivity along with particular uses of miseen- scène camera movements sounds editing choices characterization and genre. Special attention is given to cultural and historical context and the representation of sexuality race gender and class is taken into consideration. The study reveals the special ways in which queer films give a critique of heteronormativity racism class inequality commodity culture and nuclear family as well as mainstream film production which denies or suppresses the queer existence.Master Thesis Displaying Heritage in Contemporary Turkey(Kadir Has Üniversitesi, 2019) Şimşek, Cansu Nur; Selen, EserThis study is an analysis of the reconceptualization of cultural heritage via its display by contemporary art practices. Through the proposed title the understanding of heritage is reframed as an experience which is intertemporal, inter-generational, and ephemeral, that creates in-between spaces. In the first chapter heritage, today is assessed with a conclusion as to let heritage to define itself can be possible by the artistic ways of looking, displaying and also preserving the idea of heritage. Chapter Two approaches heritage both as a performance and experience while the linear perception of time is criticized by referring to the concept of contemporariness. The merging of the past, present, and future imagination is explained with mnemonic time engineering model. In the scope of Istanbul, displaying heritage have been practiced through the usage of heritage spaces for temporary contemporary art exhibitions mostly by the Istanbul Biennials. In the Chapter Three, displaying heritage and contemporary art in tandem is read as a method for alternating the spaces of exhibitions. Therefore, the conventional exhibiting methods of the art galleries, museums and biennials are also analysed. In Chapter Four, the spatial experience “Water Soul” (2015) and the practices of an art collective Oddviz and their works from the “Inventory” (2018) exhibition are analysed under the concept of displaying heritage today. In the final chapter the study is concluded that heritage today can be reconceptualized by the decentralized, and the multi-media-based gaze of art today, by allowing it to be able to define itself in a way that it cannot be adapted, stereotyped or forgotten.
