Memory Transgressed by Female Bodies: Civil Historiography Contrasted With Official Historiography
No Thumbnail Available
Date
2024
Authors
Günsür Yüceil,Z.
Hemiş,Ö.
Journal Title
Journal ISSN
Volume Title
Publisher
Routledge
Open Access Color
OpenAIRE Downloads
OpenAIRE Views
Abstract
For the past twenty-two years, productions by the Hareket Atölyesi Topluluğu (Movement Atelier Company), an all-female ensemble based in Istanbul, have related to spaces such as the country, the city, and the home. These spaces not only provide shelter but also give rise to existence and foster creation, thereby aligning with feminine characteristics and challenging hypermasculine powers. This article examines the works of Hareket Atölyesi Topluluğu using the concepts of chora, which refers to a formless interval, and of barzakh, which describes an in-between space. Ultimately, we seek to explore how these cultural conceptions of space inform artistic processes and resist hegemonic narratives. © 2024 Taylor & Francis Group, LLC.
Description
Keywords
barzakh, chora, civil historiography, Hareket Atölyesi Topluluğu, memory
Turkish CoHE Thesis Center URL
Fields of Science
Citation
0
WoS Q
Scopus Q
Q2
Source
Dance Chronicle
Volume
47
Issue
2
Start Page
214
End Page
237