Editorial
| dc.contributor.author | Akser, Murat | |
| dc.contributor.other | New Media | |
| dc.contributor.other | 04. Faculty of Communication | |
| dc.contributor.other | 01. Kadir Has University | |
| dc.date.accessioned | 2023-10-19T15:13:00Z | |
| dc.date.available | 2023-10-19T15:13:00Z | |
| dc.date.issued | 2013 | |
| dc.description.abstract | This issue of CINEJ deals with approaches to films from different parts of the world ranging from India and China to Italy and Canada. Detailed analyses on films about Ghandi, docufictions on New York City, reflections of contemporary terror in historical cinema, Chinese Soft Film Movement, road movies, religious identification in films, documemory, Italian neorealism and female performance in Canadian cinema are presented in this issue. | en_US |
| dc.description.sponsorship | University of Pittsburgh Press | en_US |
| dc.description.sponsorship | This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press. | en_US |
| dc.identifier.citationcount | 0 | |
| dc.identifier.doi | 10.5195/cinej.2013.75 | en_US |
| dc.identifier.issn | 2159-2411 | |
| dc.identifier.issn | 2158-8724 | |
| dc.identifier.uri | https://doi.org/10.5195/cinej.2013.75 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.12469/5586 | |
| dc.khas | 20231019-WoS | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Univ Pittsburgh, Univ Library System | en_US |
| dc.relation.ispartof | Cinej Cinema Journal | en_US |
| dc.rights | info:eu-repo/semantics/openAccess | en_US |
| dc.subject | Gandhi | en_US |
| dc.subject | Wenders | en_US |
| dc.subject | Canadian | en_US |
| dc.subject | neo realism | en_US |
| dc.title | Editorial | en_US |
| dc.type | Editorial | en_US |
| dspace.entity.type | Publication | |
| gdc.author.id | Akser, Murat/0000-0001-9772-394X | |
| gdc.author.institutional | Akser, Murat | |
| gdc.author.institutional | Akser, Ali Murat | |
| gdc.author.wosid | Akser, Murat/G-3490-2014 | |
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| gdc.coar.access | open access | |
| gdc.coar.type | text::journal::editorial | |
| gdc.description.departmenttemp | [Akser, Murat] Kadir Has Univ, Istanbul, Turkey | en_US |
| gdc.description.endpage | 3 | en_US |
| gdc.description.issue | 2 | en_US |
| gdc.description.publicationcategory | Diğer | en_US |
| gdc.description.startpage | 1 | en_US |
| gdc.description.volume | 2 | en_US |
| gdc.identifier.openalex | W4232781462 | |
| gdc.identifier.wos | WOS:000446918300001 | en_US |
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| gdc.oaire.keywords | N1-9211 | |
| gdc.oaire.keywords | Gandhi, Wenders, Canadian, neo realism | |
| gdc.oaire.keywords | Gandhi | |
| gdc.oaire.keywords | Communication. Mass media | |
| gdc.oaire.keywords | Canadian | |
| gdc.oaire.keywords | neo realism | |
| gdc.oaire.keywords | P87-96 | |
| gdc.oaire.keywords | Visual arts | |
| gdc.oaire.keywords | Wenders | |
| gdc.oaire.popularity | 6.7945455E-10 | |
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