Hiphop Kültüründeki Circle Ritüelinin Dansçılar Üzerindeki Etkisi

dc.contributor.advisorSarıkartal, Çetin Kemalen_US
dc.contributor.authorGürmen, Selen
dc.date.accessioned2019-07-12T08:37:41Zen_US
dc.date.available2019-07-12T08:37:41Zen_US
dc.date.issued2017en_US
dc.departmentEnstitüler, Lisansüstü Eğitim Enstitüsü, Film ve Drama Ana Bilim Dalıen_US
dc.department-tempKadir Has University : Graduate School of Social Sciences : Film and Dramaen_US
dc.description.abstractBu arastirmanin amaci Hiphop kulturunun bir parcasi olan Circle ritueli hakkinda bilgi vermek ve bu rituelin danscilarin performanslari uzerindeki etkilerini ortaya koymaktir. Bu amac dogrultusunda oncelikle kisaca Hiphop kulturunden bahsedilmis sonra da Circle rituelinin dinamigi ve ozellikleri aciklanmistir. Gozlem ve roportaj yapabilmek icin iki dansci grubu kurulmus ve bir ay sureyle duzenli araliklarla Circle seanslari yapilmistir. Yapilan Circle seanslari sonucunda rituelin (a) danscilarin performanslarini arttirdigi (b) bireysel olarak farkli ihtiyaclarini ayni anda karsilayabildigi ve (c) toplu olarak ortak bir deneyim yasadiklari one surulmustur. Ayrica Circle yaparken danscilarin hem kendi bilincaltlarina hem de kolektif bilincaltina yaklasabilecekleri dusuncesi ortaya atilmistir.en_US
dc.description.abstractThe main goal of this research is to give some information about the Hiphop culture’s Circle ritual and to present its effects on the dancer’s performance. For this purpose, Hiphop Culture is shortly introduced in the beginning and then the Circle’s dynamics and characteristics are explained. To observe the ritual and do interview with the participants, two groups of dancers were formed. They practiced this Circle ritual regularly for a month. In the end of this process it is claimed that the Circle ritual (a) improves the dancer’s performance, (b) fulfills the different individual needs of the participants at the same time, (c) allows to have a collective experience. Also, the possibility to approach individual and collective unconscious in the Circle is discussed.en_US
dc.identifier.urihttps://hdl.handle.net/20.500.12469/2163
dc.identifier.yoktezid469448en_US
dc.institutionauthorSarıkartal, Çetin Kemal
dc.language.isotren_US
dc.publisherKadir Has Üniversitesien_US
dc.relation.publicationcategoryTezen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectHiphop kulturuen_US
dc.subjectCircleen_US
dc.subjectdaireen_US
dc.subjectritüelen_US
dc.subjectDansen_US
dc.subjectDoğaçlamaen_US
dc.subjectKolektif bilinçaltıen_US
dc.subjectCypheren_US
dc.subjectCarl Gustav Jungen_US
dc.subjectBedenen_US
dc.subjectHiphop cultureen_US
dc.subjectRitualen_US
dc.subjectDanceen_US
dc.subjectImprovisationen_US
dc.subjectCollective unconsciousen_US
dc.subjectBodyen_US
dc.titleHiphop Kültüründeki Circle Ritüelinin Dansçılar Üzerindeki Etkisien_US
dc.typeMaster Thesisen_US
dspace.entity.typePublication
relation.isAuthorOfPublicationf70d5b0b-60df-4b7a-9104-108d1e926d94
relation.isAuthorOfPublication.latestForDiscoveryf70d5b0b-60df-4b7a-9104-108d1e926d94

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