Nostalgia for the Light: a 'documemory and the Conflict Between History and Memory
dc.contributor.author | Durak, Didem | |
dc.date.accessioned | 2023-10-19T15:13:00Z | |
dc.date.available | 2023-10-19T15:13:00Z | |
dc.date.issued | 2013 | |
dc.department-temp | [Durak, Didem] Kadir Has Univ, Istanbul, Turkey | en_US |
dc.description.abstract | The aim of this paper is to analyze the diverse abstract and cinematic approaches that Guzman uses to build an image of the issues in contemporary Chile. I argue that Guzman's documentary investigates the consequences of the dictatorship and the obscurity of constructing a collective memory of the events that happened during and after the coup. In this study, I elaborate on the elements of the film such as sound, evidence, narration, etc. I explore the form and the style as well as the text and the content related choices of filmmaker. Whenever possible the analysis here is supported by a shot by shot or sequential analysis. | en_US |
dc.identifier.citation | 2 | |
dc.identifier.doi | 10.5195/cinej.2013.71 | en_US |
dc.identifier.endpage | 139 | en_US |
dc.identifier.issn | 2159-2411 | |
dc.identifier.issn | 2158-8724 | |
dc.identifier.issue | 2 | en_US |
dc.identifier.startpage | 126 | en_US |
dc.identifier.uri | https://doi.org/10.5195/cinej.2013.71 | |
dc.identifier.uri | https://hdl.handle.net/20.500.12469/5583 | |
dc.identifier.volume | 2 | en_US |
dc.identifier.wos | WOS:000446918300008 | en_US |
dc.institutionauthor | Durak, Didem | |
dc.khas | 20231019-WoS | en_US |
dc.language.iso | en | en_US |
dc.publisher | Univ Pittsburgh, Univ Library System | en_US |
dc.relation.ispartof | Cinej Cinema Journal | en_US |
dc.relation.publicationcategory | Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı | en_US |
dc.rights | info:eu-repo/semantics/openAccess | en_US |
dc.title | Nostalgia for the Light: a 'documemory and the Conflict Between History and Memory | en_US |
dc.type | Article | en_US |
dspace.entity.type | Publication |
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