Nostalgia for the Light: A 'Documemory' and The Conflict between History and Memory

dc.contributor.authorDurak, Didem
dc.date.accessioned2023-10-19T15:13:00Z
dc.date.available2023-10-19T15:13:00Z
dc.date.issued2013
dc.department-temp[Durak, Didem] Kadir Has Univ, Istanbul, Turkeyen_US
dc.description.abstractThe aim of this paper is to analyze the diverse abstract and cinematic approaches that Guzman uses to build an image of the issues in contemporary Chile. I argue that Guzman's documentary investigates the consequences of the dictatorship and the obscurity of constructing a collective memory of the events that happened during and after the coup. In this study, I elaborate on the elements of the film such as sound, evidence, narration, etc. I explore the form and the style as well as the text and the content related choices of filmmaker. Whenever possible the analysis here is supported by a shot by shot or sequential analysis.en_US
dc.identifier.citation2
dc.identifier.doi10.5195/cinej.2013.71en_US
dc.identifier.endpage139en_US
dc.identifier.issn2159-2411
dc.identifier.issn2158-8724
dc.identifier.issue2en_US
dc.identifier.scopusqualityN/A
dc.identifier.startpage126en_US
dc.identifier.urihttps://doi.org/10.5195/cinej.2013.71
dc.identifier.urihttps://hdl.handle.net/20.500.12469/5583
dc.identifier.volume2en_US
dc.identifier.wosWOS:000446918300008en_US
dc.identifier.wosqualityN/A
dc.institutionauthorDurak, Didem
dc.khas20231019-WoSen_US
dc.language.isoenen_US
dc.publisherUniv Pittsburgh, Univ Library Systemen_US
dc.relation.ispartofCinej Cinema Journalen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.titleNostalgia for the Light: A 'Documemory' and The Conflict between History and Memoryen_US
dc.typeArticleen_US
dspace.entity.typePublication

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