Sinema eserleri ve sinema eser sahipliğinde doğan haklar
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Date
2012
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Kadir Has Üniversitesi
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Abstract
Çalışmamız bir giriş, üç bölüm ve bir de sonuç kısmından oluşmaktadır. İlk bölümünde sinema sanatının Dünya'da ortaya çıkışı ve Türkiye'ye girişine ilişkin genel bilgiler verilmiş, sinemayı oluşturan unsurlar tanıtılmıştır. Ardından Türk Hukukunda sinema eseri kavramı ile sinema eserinin korunma şartları, mevzuattaki kimi değişiklikler ele alınarak anlatılmaya çalışılmış, hukuki niteliği tartışmalı bazı yaratımlar örnek verilerek konu detaylandırılmıştır
As a form of artistic expression that emerged in 1895, cinema has spread across the globe and become one of the most effective tools of communication in a short time. Concordantly, in the domain of law, cinema has acquired a legal status in the domain of intellectual property law and continued to develop as a form of work of art. In this thesis, the emergence and key elements of cinema are briefly explored. Also, the notion of cinema work in Turkish Law and other issues regarding conditions of protection of cinema work, creations that polemically qualify as a work of art in cinema, the notion of authorship in cinema have been discussed. By studying the main topics regarding authorship in the field of cinema, this thesis presents moral and financial rights arising from the authorship, legal qualification of these rights, and legislative amendments depending on cinema works.
As a form of artistic expression that emerged in 1895, cinema has spread across the globe and become one of the most effective tools of communication in a short time. Concordantly, in the domain of law, cinema has acquired a legal status in the domain of intellectual property law and continued to develop as a form of work of art. In this thesis, the emergence and key elements of cinema are briefly explored. Also, the notion of cinema work in Turkish Law and other issues regarding conditions of protection of cinema work, creations that polemically qualify as a work of art in cinema, the notion of authorship in cinema have been discussed. By studying the main topics regarding authorship in the field of cinema, this thesis presents moral and financial rights arising from the authorship, legal qualification of these rights, and legislative amendments depending on cinema works.
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Eser, Sinema Eseri, Eser Sahipliği, Sinema Eseri Sahipliği, Eser Sahipliğinden Doğan Haklar, Work, Cinema Work, Autorship, Authorship in cinema, Rights Arising From The Authorship