A Moebial Ride through Polanski's Repulsion

Loading...
Thumbnail Image

Date

2020

Authors

Tüzün, Defne

Journal Title

Journal ISSN

Volume Title

Publisher

Univ Pittsburgh

Open Access Color

OpenAIRE Downloads

OpenAIRE Views

Research Projects

Organizational Units

Journal Issue

Abstract

This article examines Roman Polonski's film Repulsion from a psychoanalytic perspective by attending Julia Kristeva's notion of abjection. This paper deals primarily with two main focal points. First, it focuses on the film's portrayal of the protagonist, Carole's abjection, her problem of non-differentiation, as evidenced by her relation to the maternal body and to corporeality. Secondly, the article investigates how the film positions its viewers with regard to Carole. It questions how Repulsion impels its spectators to engage Carole with a similar non-differentiation by generating a complex web of ambiguities with regard to the differentiation between external/internal, objective/subjective and reality/fantasy.

Description

Keywords

Kristeva, Freud, Abjection, Corporeality, Primal Scene, Fetishism

Turkish CoHE Thesis Center URL

Fields of Science

Citation

1

WoS Q

N/A

Scopus Q

N/A

Source

Volume

8

Issue

2

Start Page

426

End Page

456