Bati tiyatrosunda deforme bedenin bir komedi unsuru olarak yolculugu : commedia Dell’arte tiyatrosu ucube gosterileri Jacques Lecoq’un Bufon tiyatrosu

dc.contributor.advisorGunsur, Yuceil Zeynepen_US
dc.contributor.authorTopuklular, Dilara
dc.date.accessioned2019-07-12T08:41:51Zen_US
dc.date.available2019-07-12T08:41:51Zen_US
dc.date.issued2018en_US
dc.departmentEnstitüler, Lisansüstü Eğitim Enstitüsü, Film ve Drama Ana Bilim Dalıen_US
dc.department-tempKadir Has University : Graduate School of Social Sciences : Film and Dramaen_US
dc.description.abstractBu tez deforme bedenin algilanis bicimlerinin tarih boyunca yasadigi donusumleri temel alarak sahne uzerinde bir komedi unsuru olarak nasil yorumlandigina odaklanmaktadir. Bu donusumler uc farkli turu ve o turun donemleri ozelinde incelenmistir: 16. yuzyilda ortaya cikan Commedia dell’Arte Tiyatrosu 18. ve 20. yuzyillari arasinda Bati’da yapilan ucube gosterileri ve son olarak 20. yuzyilda Jacques Lecoq tarafindan gelistirilen Bufon Tiyatrosu. Bu uc farkli tur donemsel olarak hem beden deformasyonunun sahne uzerinde degisen kullanim bicimlerini cercevelerken hem de deforme bedenin toplumsal siyasal ve sanatsal kabulunun tarihini de gostermektedir. Ayrica bu uc tur deforme beden odakli olmasinin yaninda onu bir komedi unsuru olarak yorumlamaktadir. Bu noktada deforme bedeni komedi unsuruna donusturen etkenler komedi kuramlari uzerinden incelenmis ve deforme bedeni yorumlayan bakisin gecirdigi algi surecleri hakkinda arastirmalar yapilmistir. Sonuc olarak bu tez deforme bedenin komedi unsuru olarak kullanilis biciminin bir gelenek olusturdugunu Bati tiyatro tarihinde odaklanilan uc farkli tur uzerinden savunmaktadir. Commedia dell’Arte Tiyatrosu’ndan ve ucube gosterilerinden devredilen bu gelenegin de Jacques Lecoq’un Bufon Tiyatrosu’nda yenilikci bir katmanla devam ettigini ileri surmektediren_US
dc.description.abstractThis thesis focuses on how perception of deformed bodies is interpreted as a comedic element on stage, based on the transformations that have been experienced throughout history. These transformations are studied in three different types and periods: the Commedia dell'Arte Theater in the 16th century, the freak shows in the West between the 18th and 20th centuries, and the Bouffon Theater, developed by Jacques Lecoq in the 20th century. These three different types periodically show the history of the social, political and artistic acceptance of the deformed body as well as framing the changing forms of usage of body deformations on the stage. Moreover, these three types of deformation are not only body-oriented but also can be interpreted it as a comedic element. At this point, the factors that transformed the deformed body into a comedy element are investigated through comedy theories and investigations about the perception processes of the viewing of deformed body interpretation. As a result, this thesis defends through three different kinds of foci that focus on the history of Western theater, in which the deformed body forms a tradition as a comedic element. Depending on this result, this thesis also suggests that the tradition, taken over from the Commedia dell'Arte Theater and freak shows, continues with Jacques Lecoq's Bouffon Theater with an innovative layer.en_US
dc.identifier.urihttps://hdl.handle.net/20.500.12469/2516
dc.identifier.yoktezid506407en_US
dc.language.isotren_US
dc.publisherKadir Has Üniversitesien_US
dc.relation.publicationcategoryTezen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectBedenen_US
dc.subjectDeformeen_US
dc.subjectDeformasyonen_US
dc.subjectAnormalen_US
dc.subjectNormalen_US
dc.subjectGrotesken_US
dc.subjectUcubeen_US
dc.subjectEstetiken_US
dc.subjectGüzelliken_US
dc.subjectÇirkinliken_US
dc.subjectÇirkinliken_US
dc.subjectAlgıen_US
dc.subjectBakışen_US
dc.subjectGülmeen_US
dc.subjectKomedien_US
dc.subjectSahneen_US
dc.subjectBodyen_US
dc.subjectDeformeden_US
dc.subjectDeformationen_US
dc.subjectAbnormalen_US
dc.subjectNormalen_US
dc.subjectBodyen_US
dc.subjectGrotesqueen_US
dc.subjectFreaken_US
dc.subjectAestheticen_US
dc.subjectBeautyen_US
dc.subjectUglinessen_US
dc.subjectPerceptionen_US
dc.subjectViewen_US
dc.subjectLaughen_US
dc.subjectComedyen_US
dc.subjectChangeen_US
dc.subjectSceneen_US
dc.titleBati tiyatrosunda deforme bedenin bir komedi unsuru olarak yolculugu : commedia Dell’arte tiyatrosu ucube gosterileri Jacques Lecoq’un Bufon tiyatrosuen_US
dc.typeMaster Thesisen_US
dspace.entity.typePublication

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