A freudian study of depression in post World War ii American theatre

dc.contributor.advisorGumpert, Matthewen_US
dc.contributor.authorGünay, Emre
dc.date.accessioned2019-07-12T08:37:29Zen_US
dc.date.available2019-07-12T08:37:29Zen_US
dc.date.issued2009en_US
dc.departmentEnstitüler, Lisansüstü Eğitim Enstitüsü, Amerikan Kültürü ve Edebiyatı Ana Bilim Dalıen_US
dc.department-tempKadir Has University : Graduate School of Social Sciences : American Culture and Literatureen_US
dc.description.abstractDepresyonu anlamak icin karakterin yetisip buyudugu ve bilincaltinin olustugu gecmis sartlari incelemek gerekir. Gecmisten gelen anilarla dolu olan bilincalti davranisin sekillenmesinde onemli rol oynar. Ve bazidusunceler topluma uyum saglamak amaciyla bastirilir. Bilincaltinin bir parcasi olan bastirma kisinin bilincine surekli baski yapar. Bilincalti ve onun parcasi olan bastirma karakterlerin depresyonunu aciklamada odak noktasi olacaktir. Ýnsanlar kayiplari karsisinda uzulurler ama kayiplari gercekten kaybettiklerinin otesindedir cunku bilincin otesindedir. Bireyin trajedisi depresyonsuzyasama sansi olmayisidir.en_US
dc.description.abstractTo understand the depression of the characters, one should observe the historical conditions under which they were brought up and the unconscious was constituted. The unconscious, which is full of the memories from the past, plays an important role in shaping the behaviour. And some of the thoughts are repressed for adaptation to society, which is accepted as normal in the life. The repressed which is part of the unconscious have continuous pressure in the direction of the conscious of the characters in their society. The role of unconscious and the repression that is part of the unconscious will be focused to explain the depression of the characters. People cry for the lost but what people lost is beyond the loss as it is beyond the consciousness. The tragedy of the individual is that there is no chance living without depression. It can be sometimes major as seen in Blanche or Willy?s ends. One is taken to bedlam and the other commited a suicide or sometimes it can be slight that we don?t understand it as it is seen in Doc and Lola?s life.This thesis will examine the depressive characters in post world war II American theatre using Freudian concepts. It also aims to display the social changes in American society and its role on the depression.en_US
dc.identifier.urihttps://hdl.handle.net/20.500.12469/2149
dc.identifier.yoktezid241587en_US
dc.language.isoenen_US
dc.publisherKadir Has Üniversitesien_US
dc.relation.publicationcategoryTezen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectDepresyonen_US
dc.subjectUnconsciousen_US
dc.subjectInstincten_US
dc.subjectDepressionen_US
dc.subjectPleasureen_US
dc.subjectRealityen_US
dc.subjectAdaptationen_US
dc.subjectPasten_US
dc.subjectBilinçaltıen_US
dc.subjectİçgüdüen_US
dc.subjectDepresyonen_US
dc.subjectZevken_US
dc.subjectGerçekliken_US
dc.subjectAdaptasyonen_US
dc.subjectGeçmişen_US
dc.titleA freudian study of depression in post World War ii American theatreen_US
dc.typeMaster Thesisen_US
dspace.entity.typePublication

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