Günümüz Sanat Yapıtlarında Ütopik Stratejiler : Andrea Zittel Superflex ve Ai Wewei Üzerine Bir İnceleme

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2013

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Kadir Has Üniversitesi

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Gunumuz sanat yapitinda utopik stratejilerin yerini arastirmayi hedefleyen bu calisma utopya fikrinin gecmisten gunumuze nasil bir degisime ugradigi ve bunun gunumuz sanat yapitlarina nasil yansidigi incelenmektedir. Uzunca bir zaman daha iyi hayatin dusleri olan utopyalar gecerliliklerini hicbir zaman kaybetmemislerdir.. utopyanin gunumuzdeki karsiliginin ne olabilcegini sorgulayarak seyirlik bir muze objesinden stratejik bir yola girdigi tartisilan bu calisma gunumuz yapitlari icinden bu kavramin arastirilmasini hedefler. Guncel sanatcilar tarafindan utopyanin stratejik olarak ideolojik bir fikir olarak kullanilisi elestirel bir tavra burunmesi ve vaad ettigi alternatif gelecek hayalleri calismanin ozunu olusturur.
This study, which aims to explore the position of utopian strategies within contemporary art, analyses how the utopian idea has changed from past to present and how this change reflected to modern work of art. Utopia, the idea of a better world has never lost its validity. Therefore by examining the present response of utopia as a strategic path, the study seeks the concept throughout contemporary art work. The strategic use of utopia as an ideology by the modern artists, critical attitude of the idea and its commitment on alternative future constitues the essence of the study.

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Ütopya, Sanat, Sanat Yapıtı, Strateji, Deneyim, İlişkisel Estetik, Mikro-ütopya, Utopia, Art, Art Work, Strategy, Experience, Relational Aesthetics, Microtopia

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