From Trt To Netflix: Implications of Convergence for Television Dramas in Turkey
dc.authorscopusid | 55902216100 | |
dc.authorscopusid | 58163868000 | |
dc.contributor.author | Yanardağoğlu, E. | |
dc.contributor.author | Turhallı, N. | |
dc.date.accessioned | 2023-10-19T15:05:39Z | |
dc.date.available | 2023-10-19T15:05:39Z | |
dc.date.issued | 2020 | |
dc.department-temp | Yanardağoğlu, E., Kadir Has University, Istanbul, Turkey; Turhallı, N., Kadir Has University, Istanbul, Turkey | en_US |
dc.description.abstract | Since the1980s, the television (TV) drama has proved to be one of the most dominant formats on Turkish TV channels and occupied major slots on primetime throughout the 1990s and 2000s. As Internet penetration grew, on-demand services transformed audiences’ expectations of TV series. Internet series first became a trend on YouTube in 2013, and Netflix began broadcasting in Turkey at the beginning of 2016. Its entry to the sector triggered video-on-demand suppliers like Blu TV and Puhu TV which are digital enterprises of Doğan and Doğus? Holdings. Blu TV announced their first original project in 2017, Masum (Innocent), which was a big-budget series that included famous actors. In the same year, Puhu TV released their first original, Fi (Phi). Finally, Netflix launched their first original production in Turkey, Hakan: The Protector, in 2018. This chapter focuses on the implications of convergence for the production and distribution of TV dramas and considers the changes in the sector as television broadcasting shifted to new media platforms in Turkey. © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2020, corrected publication 2021. | en_US |
dc.identifier.citation | 9 | |
dc.identifier.doi | 10.1007/978-3-030-46051-8_10 | en_US |
dc.identifier.endpage | 204 | en_US |
dc.identifier.isbn | 9783030460518 | |
dc.identifier.isbn | 9783030460501 | |
dc.identifier.scopus | 2-s2.0-85122490709 | en_US |
dc.identifier.startpage | 189 | en_US |
dc.identifier.uri | https://doi.org/10.1007/978-3-030-46051-8_10 | |
dc.identifier.uri | https://hdl.handle.net/20.500.12469/4984 | |
dc.institutionauthor | Yanardağoğlu, Eylem | |
dc.khas | 20231019-Scopus | en_US |
dc.language.iso | en | en_US |
dc.publisher | Springer International Publishing | en_US |
dc.relation.ispartof | Television in Turkey: Local Production, Transnational Expansion and Political Aspirations | en_US |
dc.relation.publicationcategory | Kitap Bölümü - Uluslararası | en_US |
dc.rights | info:eu-repo/semantics/closedAccess | en_US |
dc.subject | Blu TV | en_US |
dc.subject | Convergence | en_US |
dc.subject | Netflix | en_US |
dc.subject | New media platforms | en_US |
dc.subject | Puhu TV | en_US |
dc.title | From Trt To Netflix: Implications of Convergence for Television Dramas in Turkey | en_US |
dc.type | Book Part | en_US |
dspace.entity.type | Publication | |
relation.isAuthorOfPublication | b95e3c8a-04d7-4e41-bd4e-6e401f1a691a | |
relation.isAuthorOfPublication.latestForDiscovery | b95e3c8a-04d7-4e41-bd4e-6e401f1a691a |