Dunya sinemasında sürrealizmin izleri

Abstract

Sanat tarihcileri tarafindan iki dunya savasi arasinda kalmis bir sanat akimi olarakkabul goren surrealizmin sahip oldugu dusunsel soylemin niteligi acisindan kendi dunya sinemasi ekseninde kesfetmek ve boylelikle de surrealizm uzerinden yeni bir sinema dilinin yolunu acmak bu calismanin ana hedefini olusturmaktadir.

The main target of this work is to claim that the surrealism -which is accepted by the art historians as an art movement remained in between two world wars- holds a functionality far beyond its own effective time with regards to the quality of its ideational discourse, in the axis of the world cinema discovering the traces of surrealistic thought which the cinema referred as only a `sub-genre? within the main streams, and thus paving the way for a new language of cinema through the surrealism composes.