Radyo Televizyon ve Sinema Bölümü Koleksiyonu
Permanent URI for this collectionhttps://gcris.khas.edu.tr/handle/20.500.12469/64
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Article Citation Count: 16Rap hiphop Kreuzberg: Scripts of/for migrant youth culture in the WorldCity Berlin(Telos Press Ltd, 2004) Soysal, Levent[Abstract Not Available]Book Part Citation Count: 2TURKISH ACADEMICS IN EUROPE An Autumn Tale(Springer, 2006) Bayraktar, Gülümser Deniz[Abstract Not Available]Book Review Citation Count: 0Documentary Film: A Very Short Introduction(CINEASTE, 2008) Behlil, Melis; Spence, Louıse[Abstract Not Available]Book Review Citation Count: 0Book Part Citation Count: 1The migration story of Turks in Germany: from the beginning to the end(Cambrıdge Univ Press, 2008) Soysal, Levent[Abstract Not Available]Article Citation Count: 0Zihinsel koleksiyonlar: Yeşilçam'dan beyazcama(Mehtap Yüksel, 2009) Kotaman, AslıWalter Benjamin, eşya koleksiyonculuğu yapan kişiler hakkında yazmış ve hayatından mutlu olmayan insanların eski objeleri toplayarak kendilerine alternatif bir yaşam kurduklarını ve bu yolla adeta geçmişi çağırdıklarını söylemiştir. Bu insanlar geçmişten topladıkları eşyaları bugünkü hayatlarına iliştirirler. Zihnimizde geçmişe dair bir izleği sürersek anıların bize bazen bir koku, bazen Proust’un madleni gibi bir tat ve çoğu zamansa görsel imgeler halinde gelmekte olduğunu görürüz. Bir şeyi gördüğünüzden yıllar sonra onu tekrar gördüğünüzde aslında onun zihninizde bıraktığı parçaları bütünlemektesinizdir. Yerli dramaların Yeşilçam’ın “altın yılları”ndaki melodram filmlerini hatırlatmaları da bu yüzdendir. Yeşilçam filmleri ile bugünün yerli dramalarının metinleri arasında bir bağ bulunmaktadır. Bu nedenle de yerli dramalar bugüne ait oldukları kadar geçmişe de aittirler. Anlatı ve estetik birliğinin ötesinde bir kültürel deneyim olarak incelediğimizde yerli dramalar ile Yeşilçam filmleri arasındaki benzerlik ilgi çekicidir.Editorial Citation Count: 52Introduction: Orienting Istanbul-cultural capital of Europe?(Routledge Journals Taylor & Francis Ltd, 2010) Soysal, Levent; Soysal, Levent; Türeli, Ipek[Abstract Not Available]Editorial Citation Count: 0In Focus: Non-Western Historiography? Introduction(Univ Texas Press, 2010) Spence, Louıse; Spence, Louise[Abstract Not Available]Article Citation Count: 2Working-Class Hero: Michael Moore's Authorial Voice and Persona(Wiley-Blackwell, 2010) Spence, Louıse; Navarro, Vinicius[Abstract Not Available]Book Part Citation Count: 0PERSPECTIVE SCHOLAR LOUISE SPENCE ON COMPARING THE SOAP OPERA TO OTHER FORMS(Univ Press Mississippi, 2011) Spence, Louıse; Spence, Louise[Abstract Not Available]Article Citation Count: 2Pushing the boundaries of the historical documentary: Su Friedrich's 1984 The Ties That Bind(Routledge Journals Taylor & Francis Ltd, 2012) Spence, Louıse; Cengiz, Esin PaçaThis article argues that Su Friedrich's 1984 film The Ties That Bind employs what were at the time atypical forms and techniques to push the limits of the traditional historical documentary. Its aesthetic experimentation helps to redefine the idea of historical representation in film and does so mainly by treating evidence as both partial (in both senses of the word) and contingent offering a radical challenge to normative history and destabilizing the notion of history as authority. Unlike conventional documentaries the film marks its own limitations: its inability to provide stable answers or eternal certainties. Questioning her mother's spoken memories and commenting on them Friedrich forces a rupture in the 'evidence' of history and establishes a place in which to 'speak' herself. By including the past that her mother is talking about on the sound track as well as the present on the image track (such as images of her mother's life in the early 1980s images of intertitles etched into the film emulsion revealing the questions Friedrich asked her mother and her reactions to the things her mother said as well as images of the filmmaker's visits to historical sites) Friedrich brings the present into the past and demonstrates how history is to quote Walter Benjamin 'time filled with the presence of the now'.Book Review Citation Count: 0Article Citation Count: 9The talking witness documentary: remembrance and the politics of truth(Routledge Journals Taylor & Francis Ltd, 2013) Spence, Louıse; Avci, Asli KotamanThis article argues that the conventional talking witness documentary by relying on memory of experience as evidence employs an inherently conservative politics of truth. Using a recent Kurdish video 5 No.lu Cezaevi/Prison No. 5 (Cayan Demirel 2009) as a case study it considers the opportunities and limitations of the talking witness form as well as its appeals. The essay pays special attention to the documentary's use of mimetic' affective engagement to break into the moral and conceptual space of trauma and the harrowing experiences of men and women who were incarcerated in the notorious Diyarbakr prison in eastern Turkey in the aftermath of the 1980 Turkish coup d'etat thus endeavoring to at once fix and disseminate memories of a violent past that run counter to state-authored versions of that history.Editorial Citation Count: 7The Act of Killing An Interview with Joshua Oppenheimer(CINEASTE, 2013) Behlil, Melis; Oppenheimer, Joshua[Abstract Not Available]Editorial Citation Count: 0Forum: Visualizing History Visualizing Nation(Routledge Journals Taylor & Francis Ltd, 2014) Spence, Louıse[Abstract Not Available]Editorial Citation Count: 4The Look of Silence An Interview with Joshua Oppenheimer and Adi Rukun(CINEASTE, 2015) Behlil, Melis[Abstract Not Available]Article Citation Count: 1Selections from The Fight for National Cinema(Univ Texas Press, 2016) Behlil, Melis; Cengiz, Esin Paça[Abstract Not Available]Article Citation Count: 3"Life is a state of mind' - on fiction, society and Trump(Routledge Journals, 2017) Diken, Bülent; Laustsen, Carsten BaggeThe article undertakes an allegorical double reading of Being There and Trump as instances of what we call socio-fiction. Crucially in this respect, reality and fiction are not two opposed realms. The two realms always interact in subtle ways, which is why cinema can be a resource for diagnostic social analysis. We first articulate a general commentary on the relationship between cinema and society, introducing the concept of socio-fiction'. Secondly, we analyse Peter Sellers' Being There, an interesting film focused on the relationship between reality and fiction. In this analysis, we elaborate on different ways of approaching fiction in a sociological prism. And finally, we discuss Trump as a fallout effect of Being There. After all, a film is not just an image of a reality, a shadow or appearance of a social fact; sometimes the reality itself seems to have become an appearance of an appearance, a shadow of a shadow.Book Part Citation Count: 0Migration the sociology of mobility and critical theory(Taylor & Francis, 2018) Diken, BülentBeing one of my PhD supervisors John’s influence on my intellectual life has been decisive in many respects. However his work has inspired me especially in relation to three fields: immigration the sociology of critique and the critique of mobility. The following is a reflective account of this. First I focus on immigration in the prism of mobility. Then I turn to the sociology of critique in the framework of mobility. Finally I revisit the link between critique and immobility relating this to the sociology of the camp. © 2019 selection and editorial matter Ole B. Jensen Sven Kesselring and Mimi Sheller.Article Citation Count: 0The despotic imperative: From Hiero to the circle(Duke University Press, 2019) Diken, BülentThe article thematizes the actuality of despotism through a double reading of Xenophon’s Hiero and Dave Eggers’s Circle. A key text on despotism, Hiero is interesting to reconsider in a contemporary context because of its explicit focus on the economic element in the nexus of despotism, economy, and voluntary servitude. Discussing this nexus in an ancient context, the article turns to The Circle, a dystopic novel from 2013, which elaborates on how the attempt at creating a transparent society results in the perversion of democracy to the point where a despotism fueled by economization and voluntary servitude becomes immediately evident. Notwithstanding the significant differences between the two perceptions of despotism that proliferate in Hiero and The Circle, their shared focus on the nexus of despotism, economy, and voluntary servitude testifies to an interesting case of convergence in divergence. Offering an account of this continuity, the article ends with reflecting on this nexus itself, arguing that it should be rethought in a new way today. The concept of use is suggested as a key concept for such reconsideration.
