Radyo Televizyon ve Sinema Bölümü Koleksiyonu
Permanent URI for this collectionhttps://gcris.khas.edu.tr/handle/20.500.12469/64
Browse
Browsing Radyo Televizyon ve Sinema Bölümü Koleksiyonu by Title
Now showing 1 - 20 of 35
- Results Per Page
- Sort Options
Article Citation - WoS: 0Citation - Scopus: 2Accented Essays: Documentary as Artistic Practice in Contemporary Audiovisual Works From Turkey(Routledge Journals, Taylor & Francıs Ltd, 2019) Akçalı Kuyucu, Elif; Akçalı, Elif; Radio, Television and CinemaThis article looks at the use of documentary filmmaking in contemporary artistic practices in Turkey, specifically focusing on three works that adopt a first-person, subjective viewpoint: Didem Pekun's Of Dice and Men (2016), Sener ozmen's How to Tell of Peace to a Living Dove? (2015), and Aykan Safoglu's Off-White Tulips (2013). Made by artists in transition, these films tackle themes of belonging and identity through stylistic choices proper to essayistic filmmaking, which allow these works to be regarded as accented essays. The personal questions raised through the aesthetics they employ become relevant to collective issues of culture, history, and memory, offering an alternative understanding of the social context, which was largely affected by the political events during the period in which they were made.Editorial Citation - WoS: 7The Act of Killing an Interview With Joshua Oppenheimer(CINEASTE, 2013) Behlil, Melis; Behlil, Melis; Oppenheimer, Joshua; Radio, Television and Cinema[Abstract Not Available]Book Part Başka Diyarlara Görsel Yolculuklar: Sinemasal Göç Kuramları(Bağlam Yayınları, 2009-05-01) Soysal, Levent; Radio, Television and CinemaBook Part Beni Erken Kaldır Nine Denize Varacağım” Çöl İşaretçileri’nin İzleri(Bağlam Yayınları, 2016-05-01) Bayrakdar, Gülümser Deniz; Radio, Television and CinemaArticle Citation - WoS: 4Citation - Scopus: 5Cinema Has Split the Girl's Soul Into Pieces: Scrutinizing Representations of Women in Films From Turkey(University of Southern California, 2020) Paça Cengiz, Esin; Radio, Television and CinemaThe 1980s in Turkey were marked by the emergence of new cinematic forms, including films dealing with issues regarding female subjectivity. This article argues that within the scope of an extensive body of films produced about women in the 1980s, Her Name Is Vasfiye, Aaahh Belinda!, How to Save Asiye, Ten Women, and My Dreams, My Love and You opened up a significant space for discussions about ideological constructions concerning images of women in cinema. By deploying reflexive and fragmented structures, laying bare the ideological operations of voice-over and dubbing, and deploying the screen personas Türkan Şoray and Müjde Ar as cinematic tools, these films offer up a critique of representations of women onscreen, including the trend of “women's films.”Article Citation - WoS: 4Citation - Scopus: 2The Collector's World(Routledge Journals, Taylor & Francıs Ltd, 2020) Diken, Bülent; Diken, Bülent; Laustsen, Carsten Bagge; Radio, Television and CinemaThe article discusses the figure of the collector. We start with positioning the collector in relation to a lack, emphasizing that collecting is not about aesthetic beauty, pleasure or even perfectness, but primarily about filling a gap. The collection itself is merely a by-product of the desire to collect. Discussing how this desire is socially mediated, we move on to contextualizing the collector in relation to the distinction between the useful and the useless. We stress, in this context, that collecting is an inoperative praxis. This is followed by a discussion of the collector's psychopathology in terms of affects and interpassivity. Finally, we turn to the history of the collector and to collecting as a field in sociological terms, and end with articulating a typology of the collector.Book Review Citation - WoS: 0A Companion To the Historical Film(CINEASTE, 2013) Spence, Louise; Spence, Louıse; Radio, Television and Cinema[Abstract Not Available]Article Citation - Scopus: 2The Despotic Imperative: From Hiero To the Circle(Duke University Press, 2019) Diken, Bülent; Diken, Bülent; Radio, Television and CinemaThe article thematizes the actuality of despotism through a double reading of Xenophon’s Hiero and Dave Eggers’s Circle. A key text on despotism, Hiero is interesting to reconsider in a contemporary context because of its explicit focus on the economic element in the nexus of despotism, economy, and voluntary servitude. Discussing this nexus in an ancient context, the article turns to The Circle, a dystopic novel from 2013, which elaborates on how the attempt at creating a transparent society results in the perversion of democracy to the point where a despotism fueled by economization and voluntary servitude becomes immediately evident. Notwithstanding the significant differences between the two perceptions of despotism that proliferate in Hiero and The Circle, their shared focus on the nexus of despotism, economy, and voluntary servitude testifies to an interesting case of convergence in divergence. Offering an account of this continuity, the article ends with reflecting on this nexus itself, arguing that it should be rethought in a new way today. The concept of use is suggested as a key concept for such reconsideration.Book Review Citation - WoS: 0Documentary Film: a Very Short Introduction(CINEASTE, 2008) Behlil, Melis; Behlil, Melis; Spence, Louise; Spence, Louıse; Radio, Television and Cinema[Abstract Not Available]Article Citation - WoS: 3Citation - Scopus: 5Essayistic Tendencies in Contemporary Kurdish Filmmaking in Turkey(Univ Illinois Press, 2019) Akçalı Kuyucu, Elif; Akçalı, Elif; Radio, Television and Cinema[Abstract Not Available]Book Part Filmik Gerçeklikle Haritalamak: Lars Von Trier’in Europa’sı Fatih Akın’ın Avrupası(Bağlam Yayıncılık, 2011-05-01) bayrakdar; Bayrakdar, Gülümser Deniz; Radio, Television and CinemaEditorial Citation - WoS: 0Citation - Scopus: 0Forum: Visualizing History Visualizing Nation(Routledge Journals Taylor & Francis Ltd, 2014) Spence, Louıse; Radio, Television and Cinema[Abstract Not Available]Editorial Citation - WoS: 0In Focus: Non-Western Historiography? Introduction(Univ Texas Press, 2010) Guratai, Ahmet; Spence, Louıse; Spence, Louise; Radio, Television and Cinema[Abstract Not Available]Editorial Citation - Scopus: 56Introduction: Orienting Istanbul-Cultural Capital of Europe?(Routledge Journals Taylor & Francis Ltd, 2010) Göktürk, Deniz; Soysal, Levent; Soysal, Levent; Türeli, Ipek; Radio, Television and Cinema[Abstract Not Available]Book Part İstanbul Convertible(Bağlam Yayıncılık, 2008-05-01) Bayrakdar, Gülümser Deniz; akçalı; Akçalı, Elif; Radio, Television and CinemaBook Part İstanbul Hatırası, Sinema Hafızası: Fatih Akın’ın İstanbul’u(Bağlam Yayıncılık, 2011-05-01) Behlil, Melis; Radio, Television and CinemaBook Part Kim Bu Vasfiye?: Bir Temsiliyet Krizi Olarak Adı Vasfiye Filmi(Bağlam Yayınları, 2016-05-01) defne tüzün; Tüzün, Defne; Radio, Television and CinemaBook Part Kim Seyreder, Kim Bilir: Gölge Oyunu Filminde Seyir Anlatı İlişkisi(Bağlam Yayıncılık, 2007-05-01) Sarıkartal, Çetin Kemal; TheatreArticle Citation - WoS: 3Citation - Scopus: 4"life Is a State of Mind' - on Fiction, Society and Trump(Routledge Journals, 2017) Diken, Bülent; Diken, Bülent; Laustsen, Carsten Bagge; Radio, Television and CinemaThe article undertakes an allegorical double reading of Being There and Trump as instances of what we call socio-fiction. Crucially in this respect, reality and fiction are not two opposed realms. The two realms always interact in subtle ways, which is why cinema can be a resource for diagnostic social analysis. We first articulate a general commentary on the relationship between cinema and society, introducing the concept of socio-fiction'. Secondly, we analyse Peter Sellers' Being There, an interesting film focused on the relationship between reality and fiction. In this analysis, we elaborate on different ways of approaching fiction in a sociological prism. And finally, we discuss Trump as a fallout effect of Being There. After all, a film is not just an image of a reality, a shadow or appearance of a social fact; sometimes the reality itself seems to have become an appearance of an appearance, a shadow of a shadow.Editorial Citation - WoS: 4The Look of Silence an Interview With Joshua Oppenheimer and Adi Rukun(CINEASTE, 2015) Behlil, Melis; Behlil, Melis; Radio, Television and Cinema[Abstract Not Available]
