İletişim Fakültesi

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Citation Count: 0
Accented Essays: Documentary as Artistic Practice in Contemporary Audiovisual Works from Turkey
(Routledge Journals, Taylor & Francıs Ltd, 2019) Akçalı Kuyucu, Elif
This article looks at the use of documentary filmmaking in contemporary artistic practices in Turkey, specifically focusing on three works that adopt a first-person, subjective viewpoint: Didem Pekun's Of Dice and Men (2016), Sener ozmen's How to Tell of Peace to a Living Dove? (2015), and Aykan Safoglu's Off-White Tulips (2013). Made by artists in transition, these films tackle themes of belonging and identity through stylistic choices proper to essayistic filmmaking, which allow these works to be regarded as accented essays. The personal questions raised through the aesthetics they employ become relevant to collective issues of culture, history, and memory, offering an alternative understanding of the social context, which was largely affected by the political events during the period in which they were made.
Citation Count: 3
Activist communication design on social media: The case of online solidarity against forced Islamic lifestyle
(Sage Publications, 2021) Arda Güney, Talat Balca; Akdemir, Ayşegül
This article explores the relationship between connective and collective group identity through the example of “You Won’t Walk Alone,” a social media platform of solidarity for women suffering from the pressures of Islamic dress code in Turkey. While Turkey has a long history of conservative women’s initiatives against secular institutional code and of secular women against Islamic and misogynist social reactions, the social media platform You Won’t Walk Alone (Yalnız Yürümeyeceksin) illustrates a striking self-reflexivity of women mobilizing against their very own conservative communities. The research is based on multimodal content analysis of the posts including both images and texts in order to grasp to what extent social media offers a genuine public space for anonymous participants of the online platform as opposed to digitally networked movements which primarily reflect personalized agency. We analyze how connective and collective group identity can be correlated in this case in which online participants build solidarity by sharing content anonymously. Hence, this article questions the ways in which activist design of communication affects and shapes activism through this case study.
Citation Count: 0
The American Passport in Turkey: national citizenship in the age of transnationalism
(Routledge Journals, Taylor & Francıs Ltd, 2020) Yanardağoğlu, Eylem
[Abstract Not Available]
Citation Count: 22
Bottom-up nationalism and discrimination on social media: An analysis of the citizenship debate about refugees in Turkey
(Sage Publications Ltd, 2020) Bozdağ Bucak, Çiğdem
This study analyzes social media representations of refugees in Turkey and discusses their role in shaping public opinion. The influx of millions of Syrian refugees in Turkey has created heated debates about their presence and future in the country. One of these debates was triggered by President Erdogan's statement that Turkey would issue citizenship rights to Syrians in July 2016. Due to a lack of critical voices about refugee issues in Turkey's mass media sphere, social media has become a key platform for citizens to voice their opinions. Through a discourse analysis of tweets about the issue of refugees' citizenship, I will map different perceptions of refugees in Turkey. I argue that despite contesting discourses about Syrians, the debate on social media reinforces nationalism and an ethnocentric understanding of citizenship in Turkey. As the number of refugees and migrants increases rapidly worldwide, they become the new 'others' of national imagined communities. Social media becomes a key communication space where the nation is discursively constructed in a bottom-up manner through manifestations of 'us' and 'them'. The analysis shows that social media contributes to trivialization and normalization of discrimination and hatred against Syrian refugees through disseminating overt discourses of 'Othering'. Social media also enables more covert forms of discrimination through 'rationalized' arguments that are used to justify discrimination through the basis of false/non-verified information. Thus, Twitter becomes a space for critical, bottom-up, yet nationalistic and discriminatory statements about refugees.
Citation Count: 3
Cinema Has Split the Girl's Soul Into Pieces: Scrutinizing Representations of Women in Films From Turkey
(University of Southern California, 2020) Cengiz, Esi̇n Paça
The 1980s in Turkey were marked by the emergence of new cinematic forms, including films dealing with issues regarding female subjectivity. This article argues that within the scope of an extensive body of films produced about women in the 1980s, Her Name Is Vasfiye, Aaahh Belinda!, How to Save Asiye, Ten Women, and My Dreams, My Love and You opened up a significant space for discussions about ideological constructions concerning images of women in cinema. By deploying reflexive and fragmented structures, laying bare the ideological operations of voice-over and dubbing, and deploying the screen personas Türkan Şoray and Müjde Ar as cinematic tools, these films offer up a critique of representations of women onscreen, including the trend of “women's films.”
Citation Count: 6
Contemporary art on the current refugee crisis: the problematic of aesthetics versus ethics
(British Journal of Middle Eastern Studies, 2019) Arda Güney, Talat Balca
This article focuses on contemporary artworks outlining the current refugee flow from the Middle East to the West namely to European countries together with the US and Canada. Drawing primarily on Jacques Ranciere's conceptualization of ethical art versus aesthetics I explore how various journeys of refugees in its many forms have been represented in the contemporary art scene. My aim is to concretize the theoretical debate surrounding the 'political' engagement of critical art on the issue of refugee representation through various prominent artworks and art practices starting with the well-known image of Alan Kurdi's and Ai Weiwei's replication of this image in his artwork. I will analyse when and in which configurations aesthetics and ethics can be found in contemporary art on the issue of the 'refugee crisis'. I argue that art on refugees can be grouped into two primary categories that I define as 'human condition assessment' and 'agency empowerment'. As such I demonstrate in practice how contemporary art on the current refugee crisis both employs and moves beyond the ethical subject matters by challenging abject victimhood as well as the ideal of egalitarian art for the underrepresented and thus assumingly voiceless depoliticized refugees.
Citation Count: 2
Cybernetic narrative Modes of circularity, feedback and perception in new media artworks
(Emerald Group Publishing Ltd, 2015) Selen, Eser
Purpose - The purpose of this paper is to explore how second-order cybernetics (von Foerster, 2002) functions in new media artworks, specifically through information, system and user. While formulating the relationship between new media artworks and the discourses surrounding cybernetics the paper analyzes Popp's (2006) Bit. Fall, Wojtowicz's (2007) Elsewhere News and Zeren Goktan's (2013) The Counter, as exemplars of alternative methods of narration. This study further argues that these new media artworks employ a cybernetic narrative via modes of "circularity," "feedback," and "perception." Design/methodology/approach - This paper offers a theoretical approach to new media art and cybernetics in order to analyze three select works. Since the works mentioned have diverse takes on the presented concepts each is discussed and analyzed in their frame of production in relation to cybernetics and new media standpoints. Findings - It is significant that these three artists attempt to invert the quotidian into the concept of new media while cybernetics facilitates their interactive art installations. The fully functioning circularity in these works breaks down the linear narrative structure while regenerating a non-linear narrative together with the flow of information, utilization of the systems and the user interaction. In these works narrative functions as a tool for interaction, which is cybernetically generated by the user (human) and the systems (machine). Originality/value - New media artworks at least suggest a possibility of observing contemporary art and its history in the making if not generating it altogether through cybernetic modes of "circularity," "feedback" and "perception." The experience of these artworks for each user differs depending on their choice to either reject or become immersed in the work. The possible sensoria, however, may still be betrayed by the mind's willingness to cooperate or at times by the ability to perceive.
Citation Count: 0
Digital Transformations in Turkey: Current Perspectives in Communication Studies
(Wiley-Blackwell, 2016) İnceoğlu, İrem
[Abstract Not Available]
Citation Count: 1
Do Foreigners Count? Internationalization of Presidential Campaigns
(Sage Publications Inc, 2017) Uzunoğlu, Sarphan; Uzunoğlu, Sarphan
The U.S. presidential elections always attract the attention of foreign audienceswho despite not being able to vote choose to follow the campaigns closely. For a post that is colloquially dubbed as the Leader of the Free World it is not unexpected to see such an interest coming from nonvoters. Mimicking almost hosting a megaevent the elections increase the media coverage on the United States thus making the elections a platform to communicate with the rest of the world and to influence the reputation of the country or its nation brand. This study postulates that the increasing adoption of social media by campaigns as well as ordinary users increase the symbolic importance of presidential elections for foreign audiences in two ways. First foreign audiences no longer passively follow the campaign but rather present their input to sway the American public opinion through social media campaigns. Second foreign audiences are exposed to a variety of messages ranging from official campaigns to late-night comedy shows to local grassroots movements. The audiences both enjoy a more in-depth understanding of the elections campaigns and are exposed to alternative political views. In this study the 2016 U.S. presidential elections are positioned as a megaevent that can influence the American nation brand. Through a comparative content and network analyses of messages disseminated over social media in the United Kingdom Turkey Canada and Venezuela the nation branding-related impacts of election campaigns are investigated.
Citation Count: 22
Encountering difference and radical democratic trajectory: An analysis of Gezi Park as public space
(Routledge, 2015) İnceoğlu, İrem
Summer 2013 was a historic period in regards to political activism in Turkey. Commonly referred to as ‘the Gezi Resistance’ the grass-roots mobilisation caught the rather self-assured AKP (Adalet ve Kalkinma Partisi) government off guard as hundreds of thousands rushed to the streets squares and parks to reclaim those spaces publicly. The resistance started with the attempt by a handful of environmentalists to protect a few trees being cut down in central Istanbul. Then it quickly moved beyond just about protecting a few trees and became a collective reaction to the recent and ongoing urban modelling projects that would turn commons into gated spaces for consumption. Significantly the Gezi Resistance which reclaimed public spaces started to mobilise multiple identity groups who entered into the political arena in the radical democratic sense. This paper aims to scrutinise Gezi Resistance and the occupation of the park in relation to reclaiming public spaces and the politics of identity hence as an opportunity for a radical democratic emancipation. In this context emancipation refers to contestation against the dominating discourses of the majoritarian government with neoconservative tendencies. Public space is contextualised as the agonistic domain that enables individuals both to appear hence become visible for a possible interaction and acknowledgement and join collaborative struggles against dominant discourses. In this regard performing dissent re-produces subjectivities while articulating these to one another also requires a public space. © 2015 Taylor & Francis.
Citation Count: 2
Exploring the City: Perceiving Istanbul through its Cultural Productions
(Wiley-Blackwell, 2011) Şenova, Başak
This essay explores the role of Istanbul's 'cultural productions' as components of the city's structure and texture. Istanbul is a city of tensions generated by its countless conflicting and divergent flows which are constantly influenced by socio-economic political and cultural fusions and confusions. It is constantly expanding both horizontally and vertically as evidenced by its central and peripheral settlements illegal dwellings and squatted lands. With each and every new inhabitant further cumulative cultural input is added to the city which also blends social exclusion and transgression (together with axiomatic de facto regulations). The city 'operates' as a jumbled mode of excessive information
Citation Count: 0
Forum: Visualizing History Visualizing Nation
(Routledge Journals Taylor & Francis Ltd, 2014) Spence, Louıse
[Abstract Not Available]
Citation Count: 3
From Ayran to Dragon Fruit Smoothie: Populism, Polarization, and Social Engineering in Turkey
(USC Annenberg Press, 2020) Karaosmanoğlu, Defne
Food embedded with symbolic meaning has power in politics. Food as political communication is extensively studied as a nation branding and public diplomacy tool. However, academic studies seem to overlook the role that food plays in populism and political polarization. Pointing out a gap in the field, I explore the role of culinary culture in Turkish politics between 2013 and 2019 to demonstrate its polarizing effect and its role in social engineering. I argue that social engineering as part of constructing native/national culinary items, efforts to polarize people through an AKP-sanctioned culinary tradition, and the particulars of the palace menu, are at once contradictory and consistent. Despite government efforts to appeal to average people and to polarize the public both by replacing alcohol with native/national and familiar ayran and grape juice, and by distributing asure to the people, branded with the symbol of the presidency, the palace kitchen has also invoked the neo-Ottoman exotic by serving dragon fruit smoothie and chia seeds.
Citation Count: 8
Gezi Movement and the Networked Public Sphere: A Comparative Analysis in Global Context
(Sage Publications Ltd, 2016) Vatikiotis, Pantelis; Yoruk, Zafer F.
The article draws on Gezi protests that took place in Turkey during the summer of 2013 inquiring the extent to which they were part of a global cycle of contention that has shocked the world the last 5 years. In this regard concepts and constructs of social movement new media networking and public sphere provide analytical tools to probe into the area. Issues that are addressed and critically discussed include the evaluation of the contemporary protest movements in terms of the global diffusion of neoliberal capitalism the intersection of social media and collective action and the critical reflection on the interplay between physical and mediated facets of action.
Citation Count: 12
Guiding metaphors of nationalism: the Cyprus issue and the construction of Turkish national identity in online discussions
(Sage Publications Inc, 2008) Baruh, Lemi; Popescu, Mihaela
This article is a study of three major metaphors organizing nationalistic discourse about Cyprus in two online forums for Turkish university students. The analysis suggests that discussants symbolically warranted their constructions of the future of Cyprus and Turkish Cypriots with metaphors of blood and heroism that emphasized their personal and collective memory of sacrifice. Sports metaphors were used predominantly to convey a sense of the strategic importance of Cyprus. In addition discussants employed gender and sexual metaphors to structure the tension between nationalist feelings associated with motherland Turkey as a pure virgin female and the geopolitical demands of the nation-state portrayed as a father faced with uneasy choices.
Citation Count: 10
How to study ethnic food: Senses, power, and intercultural studies
(BioMed Central Ltd., 2020) Karaosmanoğlu, Defne
This article gives a broad review of the literature focusing on food, senses, and intercultural relations. Integrating cultural studies literature and concepts into ethnic food studies, it tries to understand the ways in which ethnic food becomes an agent of social change and helps to build, promote, and improve intercultural relations. More specifically, this article tries to explore the ways in which ethnic food could be used as a pedagogical tool in intercultural relations. The following questions are explored in anthropology and cultural studies literature: To what extent can ethnic food bring a feeling of connection with other cultures? To what extent can it bring an understanding of others? What kind of a role do the senses of taste and smell play in this process? At least three steps are proposed in the study of ethnic food and intercultural relations: Integrating sensory studies into food studies, applying self-reflexive ethnographic methodologies which are based on experience and emotion, and finally exploring the relationship between food and power, and food and agency.
Citation Count: 1
‘I am here’: women workers’ experiences at the former Cibali Tekel Tobacco and Cigarette Factory in Istanbul
(Routledge, 2017) Selen, Eser; O'Neil, Mary Lou
This study presents oral history research which investigated the experiences of surviving women workers from the former Cibali Tekel Tobacco and Cigarette Factory in Istanbul Turkey. For most of its history the factory was home to thousands of workers many of who were women and at times outnumbered men two to one. While the site is now known for the university that it houses photographs and archival records from the early twentieth century reveal the centrality of women in the process and production of tobacco and cigarettes until the factory completely shut down in 1995. Using oral history methods we recorded the memories of 17 women who worked in the factory. A multi-faceted analysis reveals the gendered nature of the space at the time as well as the importance of the factory as a place in the lives of these women. © 2017 Informa UK Limited trading as Taylor & Francis Group.
Citation Count: 11
(Il)Legitimisation of the role of the nation state: Understanding of and reactions to Internet censorship in Turkey
(Sage Publications Ltd, 2014) Yalkın, Çağrı; Kerrigan, Finola; vom, Lehn Dirk
This study aims to explore Turkish citizen-consumers' understanding of and reactions to censorship of websites in Turkey by using in-depth interviews and online ethnography. In an environment where sites such as YouTube and others are increasingly being banned the citizen-consumers' macro-level understanding is that such censorship is part of a wider ideological plan and their micro-level understanding is that their relationship with the wider global network is reduced in the sense that they have trouble accessing full information on products services and experiences. The study revealed that citizen-consumers engage in two types of resistance strategies against such domination by the state: using irony as passive resistance and using the very same technology used by the state to resist its domination.
Citation Count: 0
Integration Diversity and the Making of a European Public Sphere
(USC ANNENBERG PRESS, 2018) Bozdağ Bucak, Çiğdem
[Abstract Not Available]
Citation Count: 6
Intercultural learning in schools through telecollaboration? A critical case study of eTwinning between Turkey and Germany
(Sage Publications Inc, 2018) Bozdağ Bucak, Çiğdem
Digital media offer various possibilities for internet-based telecollaboration in schools and open up a space for intercultural learning. Diverse initiatives like such as the European Union-initiative eTwinning network aim to support telecollaboration projects in education. This article argues that we need to develop critical and grounded understanding of telecollaboration projects and how they are being embedded in the context of existing school cultures. The article presents an in-depth case study of a telecollaboration project between a Turkish and a German school. On the basis of observations in schools interviews with teachers and focus groups with pupils the article argues that there are two main challenges that limit the experience of intercultural learning in the analysed project. The first point is about the strong teacher-centred project design and the discrepancy between the perspectives of teachers and pupils. The second point is the rather simplistic and superficial understanding of culture which reasserts national cultures instead of promoting a more open perspective that influences the project tasks and topics.

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