Cengiz, Nuran Buket

Profile Picture
Name Variants
Cengiz, Nuran Buket
Cengiz, NURAN BUKET
N. B. Cengiz
CENGIZ, NURAN BUKET
Cengiz,Nuran Buket
C.,Nuran Buket
Nuran Buket Cengiz
NURAN BUKET CENGIZ
C., Nuran Buket
Cengiz, N.
N. Cengiz
Cengiz,N.B.
Nuran Buket, Cengiz
Nuran Buket CENGIZ
Cengiz, N. B.
CENGIZ, Nuran Buket
Job Title
Öğr. Gör. Dr.
Email Address
buketc@khas.edu.tr
Main Affiliation
Core Program
Status
Website
ORCID ID
0000-0001-6843-6511
Scopus Author ID
Turkish CoHE Profile ID
Google Scholar ID
WoS Researcher ID
Scholarly Output

2

Articles

0

Citation Count

0

Supervised Theses

1

Filters

2005 - 200912010 - 20181
Reset filters

Settings

Scholarly Output Search Results

Now showing 1 - 2 of 2
  • Thumbnail Image
    Editorial
    Citation - WoS: 0
    Without Boundaries: an Interview With Huseyin Tabak Director of the Legend of the Ugly King (2017)
    (INTELLECT LTD, 2018) Cengiz, Nuran Buket; Cengiz, Nuran Buket; Tabak, Hüseyin
    [Abstract Not Available]
  • Thumbnail Image
    Master Thesis
    Melancholy and Infinite Sadness: a Comparison of Jim Morrison and Kurt Cobain in Terms of the Romantic Hero and the Modern Anti-Hero
    (Kadir Has Üniversitesi, 2005) Cengiz, Nuran Buket; Cengiz, Nuran Buket; Endress, Clıfford; Endres, Clifford W.
    The Romantic hero represented the last ring in the long chain of heroism. With the Romantic hero the idea of heroism began to be transformed into the idea of anti-heroism. Thus the Romantic hero was on the one hand the last of the heroes and on the other hand the first of the anti-heroes. in the Modernist literature of the 20th century the anti-hero came onto the stage. in a similar way to what happened in literature a transition from the Romantic hero to the modern anti-hero emerged in the popular culture. This can be seen in Jim Morrison and Kurt Cobain. Jim Morrison emerged as the hero of the neo-Romantic 1960s bearing the characteristics of the anti-hero but still being a hero. in his time the neo-Romantic zeitgeist of the era together with the idea of spectacle in rock concerts laid the groundwork for a hero to emerge. in the post-punk era of rock?n?roll history there was no room for a hero. The icon of the post-punk era could only be an anti-hero. This anti-hero was Kurt Cobain. Kurt Cobain did not fit the stereotypical punk anti-rockstar model but instead bore Romantic characteristics as well although this did not turn him into a Romantic hero. Jim Morrison as a Romantic hero embodied the characteristics of both the hero and the anti-hero. in this thesis it is discussed that Jim Morrison and Kurt Cobain were both similar to and different from each other in terms of heroism and anti-heroism. -- Abstract'tan.