Akser, Ali Murat

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Profile URL
https://hdl.handle.net/20.500.12469/6921
Name Variants
Akser, Ali Murat
A.,Akser
A. M. Akser
Ali Murat, Akser
Akser, Ali Murat
A.,Akser
A. M. Akser
Ali Murat, Akser
Akser, Murat
Akser, Murat
Job Title
Dr. Öğr. Üyesi
Email Address
[email protected]
Main Affiliation
New Media
Status
Former Staff
Website
ORCID ID
Scopus Author ID
Turkish CoHE Profile ID
Google Scholar ID
WoS Researcher ID

Sustainable Development Goals

11

SUSTAINABLE CITIES AND COMMUNITIES
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1

Research Products

17

PARTNERSHIPS FOR THE GOALS
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0

Research Products

14

LIFE BELOW WATER
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1

Research Products

8

DECENT WORK AND ECONOMIC GROWTH
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0

Research Products

15

LIFE ON LAND
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0

Research Products

1

NO POVERTY
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0

Research Products

7

AFFORDABLE AND CLEAN ENERGY
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0

Research Products

6

CLEAN WATER AND SANITATION
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0

Research Products

12

RESPONSIBLE CONSUMPTION AND PRODUCTION
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0

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16

PEACE, JUSTICE AND STRONG INSTITUTIONS
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4

Research Products

9

INDUSTRY, INNOVATION AND INFRASTRUCTURE
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0

Research Products

3

GOOD HEALTH AND WELL-BEING
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0

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2

ZERO HUNGER
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0

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4

QUALITY EDUCATION
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0

Research Products

10

REDUCED INEQUALITIES
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0

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13

CLIMATE ACTION
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0

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5

GENDER EQUALITY
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4

Research Products
This researcher does not have a Scopus ID.
This researcher does not have a WoS ID.
Scholarly Output

33

Articles

8

Views / Downloads

311/5865

Supervised MSc Theses

19

Supervised PhD Theses

1

WoS Citation Count

136

Scopus Citation Count

155

WoS h-index

5

Scopus h-index

3

Patents

0

Projects

0

WoS Citations per Publication

4.12

Scopus Citations per Publication

4.70

Open Access Source

31

Supervised Theses

20

JournalCount
Cinej Cinema Journal6
CINEJ Cinema Journal1
Historical Journal of Film, Radio and Television1
Media and Communication1
Middle East Journal Of Culture And Communication1
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Now showing 1 - 10 of 33
  • Thumbnail Image
    Master Thesis
    Son Dönem Dünya Sinemasında "anne-oğul" ve "anne-kız" İlişkilerine Psikanalitik Yaklaşım
    (Kadir Has Üniversitesi, 2013) Pakalın, Fatma Dilek; Akser, Murat
    Anne Tutulması adını verdiğim Son Dönem Dünya Sinemasında Anne- Oğul ve Anne- Kız İlişkilerine Psikanalitik Yaklaşım alt baĢlıklı tez çalışmamda çağdaş Dünya sineması ve Türk sinemasında „anne- çocuk‟ ilişkileri üzerine kurulu filmlerden gerekli bulduğum örnekleri Sigmund Freud‟un Oedipus Kompleksi, Jacquez Lacan‟ın Ayna Evresi ile ilişkilendirip, Carl Gustav Jung ve Gilles Deleuze‟ün bu bağlamdaki görüşlerine de değinerek inceleyeceğim. Dramatik yapılı bu filmlerin psikanalizle örtüşme ve birbirleriyle kesişme noktaları nelerdir, kitle psikolojisinin, aile kavramı ve evlilik kurumunun psikanalize katkısı, genel işlevini yitirmiş ailenin rolü nedir? Yönetmenler psikanalizin sinema perdesinden aktarımında anlamı ifade edebilmede ne kadar başarılı olmuşlardır? Yetersizlik ve ödünlerinin nedenleri nelerdir? Amacım bu soruların yanıtlarını yazılı ve görsel kaynaklara, kendi yaşamımdaki gözlemlerime, deneyimlerime ve varsayımlarıma dayanarak vermektir. Bu konuyu seçmemin bir nedeni de, hem kadın hem anne olarak özel yaşantımda bu konumun merkezinde rol almamdır. vi Anneke Smelik‟in Feminist Sinema Ve Film Teorisi Ve Ayna Çatladı adlı kitabında Halpern Martineau ve Kobena Mercer‟den aktardığı iki söz dizini vardır. Martineau, "Eğer bir filmin bir kadın tarafından çekildiğini biliyorsanız bu bilgiyi görmezden gelmeyin. Yapılan iş kendini belli eder…", Mercer de, "… düzene ve düzenin kültürel egemenliğine karĢı koyan kültürel pratiklerin failliği meselesi, kimin konuştuğunun gerçekten önemli olduğunu düşündürüyor," der. Zaten Freud‟un Oedipus Kompleksi de ilk önce kendisinde hissettiği, babasını öldürüp annesine sahip olma duygusundan doğmamış mıydı? Kız ve erkek çocukların patolojik sorunu anne bağımlılığını irdeleyen bu çalışmamın sinemaya farklı pencereden giren bir ışık olacağına, sinemasal literatüre yeni bir bakış açısı kazandıracağına inanıyorum.
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    Article
    Nation, Genre and Female Performance in Canadian Cinema
    (Univ Pittsburgh, Univ Library System, 2013) Akser, Murat
    This paper outlines a theory of style and performance in Canadian film based on geography, gender and genre. It is possible to form a theory of Canadian cinema based on theme-genre (strong women, nature as oppressor in dysfunctional family melodramas) in which female characters, as well as their personas, interact with both a physical geography and a social space to define a Canadian identity.
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    Master Thesis
    Türkiye'de 1980-2010 Yılları Arasındaki Gazete İlanlarında İmaj Kavramı: Marka Örneği Bağlamında Değerlendirilmesi
    (Kadir Has Üniversitesi, 2012) Öztürk, Vildan; Kuru, Nur Balkir; Akser, Murat
    Günlük hayatımızda imajlarla kuşatılmış olarak yaşıyoruz. İnsanlar iletişim kurmak için henüz kullanabilecekleri ortak bir dil geliştirmemiş oldukları dönemlerde görsel imgeler yardımı ile anlaşabilmekteydiler. İletişimsel bir ihtiyacı karşılamaya yönelik geliştirilmiş olan bu yöntem günümüzde geçerliliğini hala korumaktadır. Anlatılmak istenen mesajın hedefine ulaşmasını en kısa sürede sağlayan bu yöntem reklamlarda ve birçok alanda etkili bir şekilde kullanılır.Bu tez çalışmasında imaj kavramı bir marka örneği üzerinden değerlendirilmiştir. Türkiye'deki gazetelerde 1980-2010 yılları arasındaki dönemde yayınlanmış, marka örneği olarak Arçelik firmasının reklamlarından oluşturulan örneklemler üzerinden kavramın dönemsel değişimleri incelenmiştir. İçerik analizi yöntemi ile çözümlemesi yapılan bu reklamlarda, marka imajına ait kategoriler ile yıllara ait söylemler arasındaki ilişki ve bu söylemler üzerinden toplumun yaşam tarzı özellikleri ortaya çıkarılmıştır.Anahtar Kelimeler: İmaj, Kültür, Postmodernizm, Tüketim, Reklam, İçerik
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    Master Thesis
    Let's Make It American: American Remakes of the British Films
    (Kadir Has Üniversitesi, 2013) Kahraman, Elif; Akser, Murat
    The purpose of this thesis is to analyze American remake versions of the original British films taking narrative as a basis. it claims that the American remakes put America forward as a cultural product for sale and makes the British narrative Americanized. For the study six films have been chosen for analysis: Alfie (1966 dir. Lewis Gilbert) Alfie (2004 dir. Charles Shyer) Bedazzled (1967 dir. Stanley Donen) Bedazzled (2000 dir. Harold Ramis) The Ladykillers (1955 dir. Alexander Mackendrick) The Ladykillers (2004 dir. Ethan and Joel Coen). This study explores the narrative elements of the American remakes by comparing the remakes with their originals. These narrative elements are setting characters intertextuality and turning points and transformations as well as Americanization. -- Abstract'tan.
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    Article
    Citation - WoS: 19
    Citation - Scopus: 26
    Repressed media and illiberal politics in Turkey: the persistence of fear
    (Routledge Journals, Taylor & Francis Ltd, 2023) Akser, Murat; Baybars, Banu
    This article examines the historical roots of the role of successive Turkish governments' fear of media and Turkish media's fear of government authority with respect to the development of press freedom over the long run and closely analyzes the historical pressures imposed on journalists through legal and informal means. We focus particularly on the economic and political pressure on the media in Turkey and offer three arguments regarding the fear in Turkish media: (1) Media fear is historical rather than a rupture that happened during the Justice and Development Party era; (2) out of fear of losing power, the governments use structural, legislative and extra-legal factors to the advantage of the ruling party to support a friendly media-ecology; and (3) the repressed media attempt to come out of this ecology of fear by utilizing new tactics of reporting, such as alternative media and citizen journalism.
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    Article
    Return To Reality: Towards a More Tactile Cognition of Film Theory
    (Univ Pittsburgh, Univ Library System, 2012) Akser, Murat
    Film theory has lost itself in the woods among debates of the mind and the senses. Ther are those who are interested in a more tactile sense of the real in film studies. This issue of CINEJ focuses on the documentary truth and how it aims to present us a real and a better world.
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    Article
    Citation - WoS: 92
    Citation - Scopus: 116
    Media and Democracy in Turkey: Toward a Model of Neoliberal Media Autocracy
    (2012) Baybars Hawks, Banu; Akser, Murat
    This paper reveals the ways in which media autocracy operates on political, judicial, economic and discursive levels in post-2007 Turkish media. Newsmakers in Turkey currently experience five different systemic kinds of neoliberal government pressures to keep their voice down: conglomerate pressure, judicial suppression, online banishment, surveillance defamation and accreditation discrimination. The progression of restrictions on media freedom has increased in volume annually since 2007; this includes pressure on the Dogan Media Group, the YouTube ban, arrests of journalists in the Ergenekon trials, phone tapping/taping of political figures and the exclusion of all unfriendly reporters from political circles. The levels and tools of this autocracy eventually lead to certain conclusions about the qualities of this media environment: it is a historically conservative, redistributive, panoptic and discriminatory media autocracy.
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    Conference Object
    Digital Citizenship From Below: Turkish State Versus Youtube
    (Int Business Information Management Assoc-Ibima, 2018) Baybars Hawks, Banu; Akser, Murat
    This study aims to give a historically situated analysis of the YouTube ban as seen by Turkish internet users during the first YouTube ban period between 2007-10. The content is used from online Turkish anonymous user platform, eksi sozluk, (sour dictionary). The aim is to test whether there is a civil society response to the ban which political elites and ordinary citizens contest the necessity of access to global social media networks. The main focus of this research paper is the kinds of discourse the Turkish online community used to protest the ban during the first YouTube ban. Through a combination content analysis and discourse analysis the bloggers reactions are coded and indexed to decipher the discourse produced as an active resistance/criticism against the YouTube. The response to YouTube ban that come from Turkish internet users (from below) and was critical in times of global events effecting the usage of internet and was not silenced between these events. As long as they remained anonymous (not organized action) Turkish bloggers utilized their rights for online expression. Frequency of critical blog entries increase in times of events critical of government's YouTube ban. The response to the ban is either based on condemning it or offering ways around the ban; but not calling for united action. Anonymity of the user increases the level of criticism and participation. Finally, both the government authorities and NGOs expect individual action but demand organized corporate action
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    Master Thesis
    Urban Citizenship in Istanbul: Urban Imagery Imageries of Urban Citizenship Through Urban Public Spaces
    (Kadir Has Üniversitesi, 2013) Şahin, Öznur; Akser, Murat
    This thesis aims to analyze the notion of urban citizenship in istanbul and how it has been mapped onto the urban public spaces of the city. Urban public spaces and thus urban images of istanbul are constructed around ideas of civilization. in this thesis the relationship of city dwellers and urban public spaces is scrutinized through conceptualizing the notion of civilization in the context of globalization as an analytical tool which accounts for the governmentality of space. in this context a discourse of sociality constructed through parks gardens and green fields social facilities open-air gyms and museums formalizes and regulates the practices of urbanites and thus the notion of urban citizenship is defined through the sense of social belonging to the city. -- Abstract'tan.
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    Article
    Citation - WoS: 6
    Memory, Identity and Desire: a Psychoanalytic Reading of David Lynch's Mulholland Drive
    (Univ Pittsburgh, Univ Library System, 2012) Akser, Murat
    This is a reading of David Lynch's Mulholland Drive through psychoanalytic approach of Lacan from the perspective of formation of fantasy and shifting identities. Lynch constructs his films consciously choosing his themes from the sub(versive/conscious) side of human mind. Mulholland Drive has been analyzed several times from different approaches ranging from gender (Love, 2004) to narratology (Lentzner, 2005; Mc-Gowan, 2004; Cook, 2011). This detailed textual analysis intends to rationalize Lynch's narrative structure through Lacanian terms in reference to Zizekian terminology.