Akser, Ali Murat

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Profile URL
https://hdl.handle.net/20.500.12469/6921
Name Variants
Akser, Ali Murat
A.,Akser
A. M. Akser
Ali Murat, Akser
Akser, Ali Murat
A.,Akser
A. M. Akser
Ali Murat, Akser
Akser, Murat
Akser, Murat
Job Title
Dr. Öğr. Üyesi
Email Address
[email protected]
Main Affiliation
New Media
Status
Former Staff
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ORCID ID
Scopus Author ID
Turkish CoHE Profile ID
Google Scholar ID
WoS Researcher ID

Sustainable Development Goals

13

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2

ZERO HUNGER
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7

AFFORDABLE AND CLEAN ENERGY
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11

SUSTAINABLE CITIES AND COMMUNITIES
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1

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15

LIFE ON LAND
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14

LIFE BELOW WATER
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1

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8

DECENT WORK AND ECONOMIC GROWTH
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3

GOOD HEALTH AND WELL-BEING
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5

GENDER EQUALITY
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4

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9

INDUSTRY, INNOVATION AND INFRASTRUCTURE
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12

RESPONSIBLE CONSUMPTION AND PRODUCTION
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16

PEACE, JUSTICE AND STRONG INSTITUTIONS
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4

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6

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QUALITY EDUCATION
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REDUCED INEQUALITIES
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This researcher does not have a Scopus ID.
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Scholarly Output

33

Articles

8

Views / Downloads

24/0

Supervised MSc Theses

19

Supervised PhD Theses

1

WoS Citation Count

136

Scopus Citation Count

155

WoS h-index

5

Scopus h-index

3

Patents

0

Projects

0

WoS Citations per Publication

4.12

Scopus Citations per Publication

4.70

Open Access Source

31

Supervised Theses

20

JournalCount
Cinej Cinema Journal6
CINEJ Cinema Journal1
Historical Journal of Film, Radio and Television1
Media and Communication1
Middle East Journal Of Culture And Communication1
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Now showing 1 - 10 of 33
  • Thumbnail Image
    Master Thesis
    Never Satisfied: Dissatisfied Women, Hysteric Men in 1980s Turkey
    (Kadir Has Üniversitesi, 2012) Gökçem, Selen; Akser, Murat
    The feminist movement in the 1980s Turkey enabled women to question women?s sexual emancipation. The raise of educated women, individuality and sexual emancipation helped shaping the new educated urban women image in the 1980s Turkey. The woman directors of 1980s Turkey made several women themed films in which the woman characters were represented as educated, working, economically free and sexually emancipated. Yet, the representation of sexually emancipated women in these films resulted in women hysteria. This study identifies the representation of 1980s educated emancipated women in Turkish woman directors? films that resulted in three basic outcomes; they are women hysteria, male hysteria and women?s self-sacrifice
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    Article
    Citation - Scopus: 1
    Finding Leadership in Media Education
    (Univ Pittsburgh, Univ Library System, 2024) Baybars, Banu; Akser, Murat
    This article is an exploration of leadership in media education and some of its identifying features. As lecturers in media studies and production, our teaching philosophy weaves through these themes: active learning (Budhai 2021), learning by doing (Schank et al 2013), peer and self-assessment (Iglesias P & eacute;rez, Vidal-Puga, and Pino Juste 2022) and constructive alignment (Loughlin, Lygo-Baker and Lindberg-Sand 2021).
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    Master Thesis
    Let's Make It American: American Remakes of the British Films
    (Kadir Has Üniversitesi, 2013) Kahraman, Elif; Akser, Murat
    The purpose of this thesis is to analyze American remake versions of the original British films taking narrative as a basis. it claims that the American remakes put America forward as a cultural product for sale and makes the British narrative Americanized. For the study six films have been chosen for analysis: Alfie (1966 dir. Lewis Gilbert) Alfie (2004 dir. Charles Shyer) Bedazzled (1967 dir. Stanley Donen) Bedazzled (2000 dir. Harold Ramis) The Ladykillers (1955 dir. Alexander Mackendrick) The Ladykillers (2004 dir. Ethan and Joel Coen). This study explores the narrative elements of the American remakes by comparing the remakes with their originals. These narrative elements are setting characters intertextuality and turning points and transformations as well as Americanization. -- Abstract'tan.
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    Article
    Citation - WoS: 19
    Citation - Scopus: 26
    Repressed media and illiberal politics in Turkey: the persistence of fear
    (Routledge Journals, Taylor & Francis Ltd, 2023) Akser, Murat; Baybars, Banu
    This article examines the historical roots of the role of successive Turkish governments' fear of media and Turkish media's fear of government authority with respect to the development of press freedom over the long run and closely analyzes the historical pressures imposed on journalists through legal and informal means. We focus particularly on the economic and political pressure on the media in Turkey and offer three arguments regarding the fear in Turkish media: (1) Media fear is historical rather than a rupture that happened during the Justice and Development Party era; (2) out of fear of losing power, the governments use structural, legislative and extra-legal factors to the advantage of the ruling party to support a friendly media-ecology; and (3) the repressed media attempt to come out of this ecology of fear by utilizing new tactics of reporting, such as alternative media and citizen journalism.
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    Master Thesis
    Gazete Yayıncılığında Muhafazakarlık Söyleminin Değişimi 2003 - 2008
    (Kadir Has Üniversitesi, 2012) Aydın, Sumru; Akser, Murat
    Bu tez, 2003 ve 2008 yıllarında kadına yönelik şiddet haberlerinde muhafazakarlık söyleminin seçilmiş üç gazetede nasıl değiştiğini göstermeyi amaçlamaktadır. Seçilen gazetelere ait haberler niceliksel ve niteliksel olarak incelenmiştir. Kadına yönelik şiddet haberlerinde üç gazetenin aynı olayı farklı yaklaşımlarla haber yaptığı saptanmıştır. Bu yaklaşımlar suçlama, örtme ve abartma olarak özetlenebilir.
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    Master Thesis
    Yakın Dönem Türk Sinemasında Varoşculuk ve Yabancılaşma
    (Kadir Has Üniversitesi, 2013) Nas, İrem; Akser, Murat
    20. yüzyıl insanının en büyük problemlerinden olan yabancılaşma sorununun, incelenecek yakın dönem Türk sineması örneklerinde varoluşçu felsefe açısından nasıl yorumlandığı, ne şekilde kurgulandığı ve akımın yabancılaşmayı gösterme bağlamında etkilerinin son dönemde yoğunluk kazanmasının nedenlerini ortaya koymak çalışmamın amacı olacaktır. Tez çalışmasının birinci bölümünde kavram olarak varoluşçuluk ve varoluşçu felsefe akımı içindeki yabancılaşma tanımlarına değinilecek, ikinci bölümde varoluşçuluğun dünya ve Türk sinemasındaki etkilerine yer verilecektir. Üçüncü bölümde de Türk sinemasının üç genç yönetmeninin filmi (Semih Kaplanoğlu/Meleğin Düşüşü, Özcan Alper/Sonbahar, Seren Yüce/Çoğunluk) varoluşçu izlekler açısından incelenecektir.
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    Editorial
    Editorial
    (Univ Pittsburgh, Univ Library System, 2013) Akser, Murat
    This issue of CINEJ deals with approaches to films from different parts of the world ranging from India and China to Italy and Canada. Detailed analyses on films about Ghandi, docufictions on New York City, reflections of contemporary terror in historical cinema, Chinese Soft Film Movement, road movies, religious identification in films, documemory, Italian neorealism and female performance in Canadian cinema are presented in this issue.
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    Master Thesis
    Türkiye'de 1980-2010 Yılları Arasındaki Gazete İlanlarında İmaj Kavramı: Marka Örneği Bağlamında Değerlendirilmesi
    (Kadir Has Üniversitesi, 2012) Öztürk, Vildan; Kuru, Nur Balkir; Akser, Murat
    Günlük hayatımızda imajlarla kuşatılmış olarak yaşıyoruz. İnsanlar iletişim kurmak için henüz kullanabilecekleri ortak bir dil geliştirmemiş oldukları dönemlerde görsel imgeler yardımı ile anlaşabilmekteydiler. İletişimsel bir ihtiyacı karşılamaya yönelik geliştirilmiş olan bu yöntem günümüzde geçerliliğini hala korumaktadır. Anlatılmak istenen mesajın hedefine ulaşmasını en kısa sürede sağlayan bu yöntem reklamlarda ve birçok alanda etkili bir şekilde kullanılır.Bu tez çalışmasında imaj kavramı bir marka örneği üzerinden değerlendirilmiştir. Türkiye'deki gazetelerde 1980-2010 yılları arasındaki dönemde yayınlanmış, marka örneği olarak Arçelik firmasının reklamlarından oluşturulan örneklemler üzerinden kavramın dönemsel değişimleri incelenmiştir. İçerik analizi yöntemi ile çözümlemesi yapılan bu reklamlarda, marka imajına ait kategoriler ile yıllara ait söylemler arasındaki ilişki ve bu söylemler üzerinden toplumun yaşam tarzı özellikleri ortaya çıkarılmıştır.Anahtar Kelimeler: İmaj, Kültür, Postmodernizm, Tüketim, Reklam, İçerik
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    Article
    Return To Reality: Towards a More Tactile Cognition of Film Theory
    (Univ Pittsburgh, Univ Library System, 2012) Akser, Murat
    Film theory has lost itself in the woods among debates of the mind and the senses. Ther are those who are interested in a more tactile sense of the real in film studies. This issue of CINEJ focuses on the documentary truth and how it aims to present us a real and a better world.
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    Article
    Citation - WoS: 92
    Citation - Scopus: 116
    Media and Democracy in Turkey: Toward a Model of Neoliberal Media Autocracy
    (2012) Baybars Hawks, Banu; Akser, Murat
    This paper reveals the ways in which media autocracy operates on political, judicial, economic and discursive levels in post-2007 Turkish media. Newsmakers in Turkey currently experience five different systemic kinds of neoliberal government pressures to keep their voice down: conglomerate pressure, judicial suppression, online banishment, surveillance defamation and accreditation discrimination. The progression of restrictions on media freedom has increased in volume annually since 2007; this includes pressure on the Dogan Media Group, the YouTube ban, arrests of journalists in the Ergenekon trials, phone tapping/taping of political figures and the exclusion of all unfriendly reporters from political circles. The levels and tools of this autocracy eventually lead to certain conclusions about the qualities of this media environment: it is a historically conservative, redistributive, panoptic and discriminatory media autocracy.