The Mask and the Social Actors Social, Political, Aesthetic and Cultural Functions of the Mask

dc.contributor.advisor Bülent Diken en_US
dc.contributor.author ALTUNKAYA, HALİL
dc.contributor.author Diken, Bülent
dc.contributor.other Radio, Television and Cinema
dc.date 2022-09
dc.date.accessioned 2023-07-31T11:34:17Z
dc.date.available 2023-07-31T11:34:17Z
dc.date.issued 2022
dc.department Enstitüler, Lisansüstü Eğitim Enstitüsü, İletişim Bilimleri Ana Bilim Dalı en_US
dc.description.abstract The mask, which dates back to the earliest periods of human history, is an object that has found a place in our lives over time, except for mythical ceremonies and special days. Even though humanity has partially severed its ties with primitive mythical ceremonies, the mask preserves its place and importance in our lives as it was on the first day. The mask appears as a multidimensional and comprehensive field of study. This multidimensionality and comprehensiveness complicate the limitations of research. In this study, it has tried to reveal the usage areas of the mask and the meanings it creates under different topics. The aim of the study is to reveal the common points that emerge as a result of different usage areas and to try to understand whether the mask actually creates an area where one can escape from social reality as a result of these common points. The examples selected and analyzed in this study have been kept wide and aim to reveal that the mask actually takes place in every moment of our lives and shapes our lives in a wide field of study ranging from cinema to carnival, from daily life to politics. The culturally different uses of the mask were excluded on the grounds that it would both decontextualize the subject and not serve the study. Due to the literature and examples used, the use of masks in Europe and there has been effective in determining the universe of the thesis. In this thesis, it is aimed to reveal the use of mask and mask in which situations and for what purpose, by using the general scanning method. The selected examples have been preferred in terms of the use of masks and the intensity and causality of the meanings attributed to it historically and currently. en_US
dc.identifier.uri https://hdl.handle.net/20.500.12469/4432
dc.identifier.yoktezid 772060 en_US
dc.language.iso en en_US
dc.publisher Kadir Has Üniversitesi en_US
dc.relation.publicationcategory Tez en_US
dc.rights info:eu-repo/semantics/openAccess en_US
dc.subject Mask en_US
dc.subject Carnival en_US
dc.subject Theater en_US
dc.subject Public Sphere en_US
dc.subject Politics en_US
dc.subject State of Exception en_US
dc.title The Mask and the Social Actors Social, Political, Aesthetic and Cultural Functions of the Mask en_US
dc.type Master Thesis en_US
dspace.entity.type Publication
relation.isAuthorOfPublication 09902bf6-a247-4b47-b0d0-134387d5cbb7
relation.isAuthorOfPublication.latestForDiscovery 09902bf6-a247-4b47-b0d0-134387d5cbb7
relation.isOrgUnitOfPublication 0bdb34e9-badb-4a54-bc75-f77508a0c6b0
relation.isOrgUnitOfPublication.latestForDiscovery 0bdb34e9-badb-4a54-bc75-f77508a0c6b0

Files

Original bundle

Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
HalilAltunkaya.pdf
Size:
514.43 KB
Format:
Adobe Portable Document Format
Description:
The mask and the social actors social, political, aesthetic and cultural functions of the mask

Collections