Bakış ve insan: Blade Runner 2049
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Date
2019
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Kadir Has Üniversitesi
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Abstract
Siberpunk sineması için temel konulardan bir tanesi insan ve insan olmayan arasındaki
ayrımın muğlâklaşmasıdır. Bu konunun işlendiği zeminlerden bir tanesi ‘bakış’
kavramıdır. Bakış, insan-insan olmayan arasındaki beden ve zihin savaşının tam
ortasında durmaktadır ve insana ait bir özellik olarak kodlanır. Bu tezin amacı, Blade
Runner 2049 (Denis Villeneuve, 2017) filmine bakış açısı çekimi üzerinden biçimsel
analiz uygulayarak, ‘bakış’ ve ‘insan’ kavramının diğer hangi kavramlarla
ilişkilendirildiği araştırmak ve bakış açısı çekimi açısından nasıl bir strateji izlenildiği
açıklamaktır.
One of the basic issues for cyberpunk cinema is the ambiguity of the distinction between human and non-human. One of the grounds where this subject is studied is the concept of ‘glance’. The glace stands in the middle of the battle of the body and mind between human and non-human, and is encoded as a characteristic of human. The purpose of this thesis is to apply formal analysis to Blade Runner 2049 (Denis Villeneuve, 2017). This thesis, however, explores the relationship between the concept of ‘glance’ and ‘human’ and explains what kind of strategy is being pursued in terms of point of view shot.
One of the basic issues for cyberpunk cinema is the ambiguity of the distinction between human and non-human. One of the grounds where this subject is studied is the concept of ‘glance’. The glace stands in the middle of the battle of the body and mind between human and non-human, and is encoded as a characteristic of human. The purpose of this thesis is to apply formal analysis to Blade Runner 2049 (Denis Villeneuve, 2017). This thesis, however, explores the relationship between the concept of ‘glance’ and ‘human’ and explains what kind of strategy is being pursued in terms of point of view shot.
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Bakış açısı çekimi, Edward Branigan, Siberpunk, Blade Runner, Blade Runner 2049, Point of view shot,, Cyberpunk, Blade Runner, Blade Runner 2049