Sanat ve Tasarım Fakültesi

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Citation Count: 0
The skeletal and heaped characteristic of traditional masonry structures
(2009) Alioğlu, Emine Füsun; Alper, Berrin
Just as in all pre-industrial societies the historic structures in Anatolia derive from two materials timber and stone. In timber construction two categories namely heaped construction and skeletal construction are clearly distinguishable. In research to date it can be seen that these categories have been clearly defined and explained. Yet structural definitions in masonry buildings are mostly limited to the term heaped construction. However in traditional masonry structures it is possible to see whether clearly or under a layer a construction that reminds one of skeletal construction. In this paper historical masonry structures that have been often described as heaped construction but which actually contain both heaped and skeletal system characteristics will be discussed. This dual-system will be examined with examples from Ottoman mosques and masonry houses in Anatolia. © 2009 WIT Press.
Citation Count: 5
Experimental experience in design education as a resource for innovative thinking: The case of Bruno Munari
(Elsevier Science Bv, 2010) Orlandi Coşkun, Ayşe
Design education in general includes various design fields such as product design graphic design communication design and design in engineering. Designing as an activity captures all these various fields. Design refers basically to a problem solving method a creative problem solving approach and relevant processes. Design as an activity has always been considered as a creative tool. Design education mainly focuses on enhancing creative approaches with various 2D and 3D project based basic design studies. As the tools of designing developed in parallel with technology the core structure of the education is based on a model with creative and analytical aspects: Designerly way of thinking aims at originality and uniqueness. Today the need for innovation has become more evident than ever. The main purpose of the paper is to explore and to identify the relationship between creativity innovation and design related to design education. Bruno Munari(Milano 1907-1998) as a designer and a design educator is one of the prominent names reflecting innovation and creativity in the history of Italian Design. His innovative contribution to Italian Design is reinforced by his experimental design educator background in research for creativity. The paper aims at exploring the educational structures through history of design and design education that leads to creative thinking and nurture sustainable innovation through the case study of Bruno Munari's works as a designer and as an educator. (C) 2010 Elsevier Ltd. All rights reserved.
Citation Count: 0
Luleburgaz Train Station At The Turn Of The Twentieth Century
(Middle East Technical Univ, 2011) Erkan Kösebay, Yonca
The literature on the architecture of the Ottoman railway buildings is highly limited. In terms of architectural history the data presented here gathered through original documents at archives and personal collections is especially significant. In this paper five original drawings are introduced. Based on these documents information on the construction techniques plans and materials of the railway buildings are revealed. It is also understood that in this particular period of time several revisions were made in the original plan(ning) of the station such as the lodgments which were added for new officers. In that sense this paper illuminates the stratified history of the railway construction in the Ottoman Empire through one particular example. The original documents presented here vary in scale (from 1/25000 to 1/100) which makes it possible to deduce information from the level of urban scale to the level and scale of materials in concern. Other than the drawings hand written notes on these plans provide momentous data concerning the railway history.
Citation Count: 8
Design in Informal Economies: Craft Neighborhoods in Istanbul
(MIT Press Journals, 2011) Kaya, Çiğdem; Yağız, Burcu (Yancatarol)
[Abstract Not Available]
Citation Count: 0
Yirminci yüzyılın başında Lüleburgaz tren istasyonu
(2011) Erkan Kösebay, Yonca
[Abstract Not Available]
Citation Count: 11
Railway heritage of Istanbul and the Marmaray Project
(Taylor & Francis Inc, 2012) Erkan Kösebay, Yonca
This study explores the significance of Istanbul's railway heritage and discusses the criteria for evaluating the historical importance architectural value and social issues surrounding the city's rail system leading into an examination of the consequences of the Marmaray Project. The Marmaray Project is a commuter rail system designed to unify Istanbul's two independent rail transportation systems and it will connect Halkali on the European side with Gebze on the Asian side of the city. With the beginnings of rail construction in the 1870s the waters of the Bosphorus separated the Oriental Railway on the European side from the Anatolian and the Baghdad Railway preventing a direct connection between Europe and Asia. The Marmaray Project will actualize this universal long desired dream via an under water tunnel. However the design of the project bears significant risks for the city's railway heritage dating back to the 19th and 20th centuries. At risk are structures used by travelers lodgings ateliers depots water closets (WC's) underpasses retaining walls bridges and old trees.
Citation Count: 1
Regression model for interior design cost estimate in preliminary stage
(Elsevier Science Bv, 2012) Yazicioglu, Deniz Ayse
Cost factors become even more important in the design of the kitchen which is remodeled 34% more than any other room of the house. For this reason the purpose of this study was to propose a reliable kitchen cost estimate model that can be used during the pre-design stages. The first stage of the methodology consisted of defining the limits and the parameters of the model. Next 1.309 kitchen design projects were analyzed for data and a regression model based on the correlations between these data was developed. In the last stage sample cases were developed to prove the feasibility of using the kitchen remodeling cost estimate model. (C) 2012 Published by Elsevier Ltd. Selection and/or peer review under responsibility of Prof. Ayse Cakir Ilhan
Citation Count: 4
New forms of design education
(Elsevier Science Bv, 2012) Üst, Selin; Ust, Selin
Design has been in a period of change for the last decade but design education and more specifically design educators haven't kept up with these transformations. As a result design students continue to learn outdated methods and techniques. A designer needs to understand processes methods and mediums of design. At all of these levels the process is the same while methods may change slightly and the medium differs dramatically. Without expertise in mediums a designer is only able to facilitate what others do
Rekonstrüksiyon ya da yeniden yapma, hangi yapı için? Taksim topçu kışlası için bir değerlendirme
(Yıldız Teknik Üniversitesi, 2013) Alioğlu, Emine Füsun
[Abstract Not Available]
Citation Count: 0
Yenilikçi Bir Üretim Modeli Olarak İtalyan Endüstri Kümeleri ve Tasarıma Dayalı İnovasyona Etkileri
(MSGSÜ Mimarlık Fakültesi, 2013) Orlandi Coşkun, Ayşe
‹novasyon 21. yy. için en önemli rekabet stratejilerinden biridir. ‹novasyon kavram› klasik çerçevede teknolojiye özdefl tan›mlan›rken, ‘tasar›ma dayal› inovasyon’ ifadesi do¤rudan teknolojiye ba¤l› olmayan yenilik kavram›n› yeni ürün gelifltirme süreçleriyle kesifltirerek tasar›m ve inovasyon aras›ndaki net ba¤lant›y› vurgular. Tasar›m› bir kültür olarak benimseyen ve sunan ‹talya, II. Dünya Savafl› sonras› parlayan ‘Made in Italy’ etiketiyle ‹talyan endüstri ürünlerindeki tasar›ma ve inovasyona dayal› katma-de¤eri tescil etmektedir. Tasar›m›n hem ulusal bir katma-de¤er dinami¤i, hem de rekabet avantaj› faktörü olarak de¤erlendirilmesi, ‹talya’n›n kendine has, özgün, yarat›c› ve yenilikçi tasar›m modelinin referans model olarak kabul görmesini sa¤lam›flt›r. ‘Made in Italy’ vurgusunun en önemli kayna¤› özelleflmifl üretim sistemi olan endüstri kümeleridir. ‹talyan endüstri kümelerinin tasar›m ve inovasyonu tetikleyici yap›s› bu makalenin ana temas›n› oluflturur. Makale, genel çerçevede küme kavram›n› inceleyerek tasar›ma dayal› inovasyona kaynakl›k eden ve bu kapsamda örnek üretim modeli olarak karfl›m›za ç›kan ‹talyan endüstri kümelerinin yap›sal analizine odaklan›r. Literatür derlemesi olarak kurgulanan çal›flman›n bir di¤er amac› da kümelenme modelinin ‹talya’yla ayn› co¤rafi havzada yer alan Türkiye için model oluflturma potansiyelinin konumland›r›lmas›na kaynakl›k etmektir.
Citation Count: 0
Ottoman Izmir: the rise of a cosmopolitan port 1840-1880
(INT SEMINAR URBAN FORM, 2013) Çetin, Murat
[Abstract Not Available]
Citation Count: 0
Woman, home, and the question of ıdentity: A critical review of feminist literature
(Doğu Akdeniz Üniversitesi Kadın Araştırmaları ve Eğitimi Merkezi, 2013) Kılıçkıran, Didem
Much ink has been spilled over the association of women with the material and imaginary geographies of the home. In this paper, I will discuss this association with reference to the feminist literature on the home, which, in the second half of the last century, produced a fascinating critique of the home as part of a larger debate on the connection between space and place and the construction of gender relations and ideologies. I will focus particularly on how the problem of the home in feminism has been defined as one of identity, referring to some key works in feminist literature that have put forward notions of the home as a place that women have to leave behind if they are to find their identities beyond those imposed upon them by society at large. In doing this, I will also give voice to criticisms that have been raised from within feminism itself against a totally negative depiction of the home, and discuss whether it is possible to envisage a more positive image of the home in feminism in relation to women’s identities.
Citation Count: 10
Used and rejected decisions in design teamwork
(Taylor & Francis Ltd, 2013) Enşici, Ayhan; Badke-Schaub, Petra; Bayazit, Nigan; Lauche, Kristina
Decision making in design requires careful consideration as any inaccuracies or faults can have serious consequences for the producer the user and/or the competitiveness of the company. Research investigating decision making in design so far has mainly focused on the selection of decisions as part of technical choices and classical optimisation problems. In recent years further research has been started to discover the characteristics of successful decision making in industry. These later mostly single case studies shed light on some general influences on decision making but so far have not identified different relevant patterns of decision-making processes in design teams which are influential on the result and the process of decision making such as the constituents of rejected decisions. The research study reported here was initiated to further analyse the components of decision-making processes in teams with special emphasis on the question of how decisions develop during the design process. For example what happens to rejected decisions in the course of the design process? The observed processes should be analysed in detail by assessing all utterances in an interaction protocol which can be used as indicators of underlying cognitive processes in decision making
Citation Count: 1
Haydarpasa Train Station: Present Past And Future
(Middle East Technical Univ, 2013) Erkan Kösebay, Yonca
The facade of Haydarpasa Train Station has been changed more than once in the course of its century old life time. Until the fire in November 2010 wiping out the roof the building was recalled only with a single image although the original facade of the building was slightly different than it is commonly remembered one. Currently while the wounds of the building are on the verge of healing a new identity for the station is being tailored
Citation Count: 0
İç mimarlık eğitiminde yaratıcı drama
(Ankara Hacı Bayram Veli Üniversitesi, 2013) Üst, Selin; Doğan, Gökçe Mine
Oyun; insanın varoluşundan bu yana doğasında bulunan bir özelliktir. Yaratıcı Drama, insanı var eden yaratıcılık, hayal gücü, cesaret gibi öğeleriyle temeli doğaçlamaya dayanan bir ifade yöntemi sayılabilir. Bu çalışma, Yaratıcı Drama’nın sunduğu fırsatlar ve sağladığı kazanımlar göz önüne alınarak drama etkinliği alternatif bir yöntem olarak iç mimari tasarım eğitiminde kullanımını irdelemeyi amaçlar. Makale Kadir Has Üniversitesi Sanat ve Tasarım Fakültesi İç Mimarlık Proje I stüdyosu kapsamında gerçekleştirilen yaratıcı drama atölye çalışması deneyimlerini aktarmayı hedefler. 1. Stüdyonun ana amacı, öğrencilerin ilk stüdyo deneyimlerinde mekânsal düşünme ve algılama yeteneklerini geliştirmektir. Bu eğitim modelinde hedeflenen iç mimarlık öğrencilerinin eskiz, teknik çizim, maket vb. temsil yöntemlerinin ötesinde oyun ile tasarım prensiplerinin farkına varmalarını sağlamaktır.
Citation Count: 0
"Styling" Kavram Aracının Ürün ve Tasarımında Kullanımı: Ürün Anlambilimsel Yaklaşım
(MSGSÜ Mimarlık Fakültesi, 2013) Narter, Çınar
Endüstri tasar›m› “Styling” kavramı, “Ürünler arasındaki algılanma biçimlerini de¤ifltiren temel yap›sal unsurlardır” fleklinde tanımlanmaktadır. Burada de¤inilen “algı”, farkında olmak ya da ürünün vermek istedi¤i mesaj› anlamaktır. Algıyı yaratan formlar bir dizi üründe tasarım yoluyla tekrarlanarak meydana gelirse bir tarz oluşmaya başlamaktadır. Bu noktada styling ve tasarımı birbirine kar›flt›rmamak gereklidir. Tasarım styling demek de¤ildir. Styling ürünün d›fl görünüşüne ve kabuğuna şekil vermek anlam›na da gelmemektedir. Styling uygulaması; biliflsel bilimlerin, karma teknolojilerin, insanın psikolojik ve fiziki ihtiyaçlarının göz ününde bulunduruldu¤u ve ifllevin nedenselliği üzerine biçim oluşlturulması durumunu içermektedir. “Styling” Türkçe‘de “biçimleme”, “üsluplaflt›rma” olarak da ifade edilmektedir. Bu makalede, Endüstri Tasarımı disiplini alt›nda “Anlambilimsel Kavram Araçları”ndan ve “Tasarlama” yöntemlerinden biri olan “Styling” kavramının ürün tasarım uygulamalarındaki yansımaları incelenmektedir. Bu araflt›rma ürün kimli¤i açısından tasarımda styling kavramını hangi bağlamda ürünlerine yansıt›ld›¤›n›, anlambilimsel yaklafl›mda ürünler üzerinden aktarılmak istenen mesajların hangi yollarla iletildiğine dair bir araflt›rmay› içermektedir. Bu çal›flma ile ürün anlambilim bilim alan› ve endüstri tasar›m› disiplini arasındaki iliflkiler de kurulmaktadır.
Citation Count: 0
London 2012 olympic and paralympic games-Acoustic design aspects of temporary venues
(European Acoustics Association EAA, 2014) Şaher, Konca; Cahill, Ben
This paper concentrates on the acoustic design aspects of the Temporary Venues at London 2012 Olympic and Paralympic Games. The project needed integration of individuals from various different client groups consultants and contractors into one team to work in a multi-disciplinary way. Atkins-Acoustics Noise and Vibration Consultancy worked with venue design team project managers sustainability consultants from London Organizing Committee of the Olympic and Paralympic Games (LOCOG) and architects. The keywords for Temporary Venues are absence of legacy and sustainability. There are over 120 of Temporary Venues spread throughout London and other parts of UK. The acoustic analysis strategy had two main components: Noise to the environment and noise to the venue. Noise to the environment included baseline noise survey of the site in comparison to the 3D modelling of the venue for construction games and demolition phases. Noise to the venue included setting acoustic criteria for each component sound insulation reverberation time calculations public address and voice evacuation design and mechanical plant noise control.
Citation Count: 0
Acoustic design guidelines for adults with intellectual disability
(European Acoustics Association EAA, 2014) Şaher, Konca; Nijs, Lau; Hordijk, Truus
This paper concentrates on the acoustic design aspects of the living rooms in institutions for adults with intellectually disability. In the living rooms for adults with ID there is even a higher stress on the acoustics since they are more dependent on the acoustical environment compared to normal population. Moreover prevalence of hearing impairment among adults with ID is around 30% and in most cases it is not even recognised. Therefore the rooms for adults with ID need to be designed by taking into account the requirements of the hearing impaired. They need more favourable room acoustics to improve their communication and participation. This paper investigates three main themes: 1) Investigation of impact of building design tools on acoustical quality parameters and determination of most appropriate acoustical quality indicator that translates best into architectural practice for living rooms for adults with ID. 2) Investigation of the relation between user satisfaction and absorption amount in rooms for adults with ID by listening tests prepared from auralizations. 3) Development of architectural/acoustical design guidelines to provide optimal absorption amount for living rooms for adults with ID.
Citation Count: 0
Konutlarda İç Mekan İle Mobilya Etkileşimi Bağlamında Mobilyaya Dair Özelliklerin İncelenmesi
(Ankara Hacı Bayram Veli Üniversitesi, 2015) Üst, Selin
Çok sayıda işlevin bir araya geldiği konut iç mekân tasarımı, yoğun bir programlamayı ve çözümü gerektirmektedir. Nüfus ve refah artışı, kentlere göç ve sosyo-ekonomik gelişmelere paralel olarak mekan ihtiyacı hızla değişmektedir. Konut sektöründeki kavramsal değişimler sonucu, küçülen mekânlarda daha esnek ve fonksiyonel kullanım ihtiyacı, mobilyaya olan talebi sürekli canlı tutmaktadır. Bu çalışmada, konut tasarım üretim süreci ile mobilya tasarım-üretim süreci arasındaki çok boyutlu ilişkiler ağına vurgu yapılarak Türkiye ölçeğinde “mobil hane halkı” ve “kira konut” kavramları üzerinden konut içinde kullanılan mobilyalar işlevsellik ve tasarım özellikleri bakımından incelenmektedir.
Citation Count: 1
Designed by Balyan Family: The Sa'dabad Mosque
(Yıldız Technical Univ Fac Architecture, 2015) Alioğlu, Emine Füsun
Sa'adabad Mosque was built as an imperial mosque in the Tulip period (1718-1730) which corresponds to the reign of Ahmet III. The mosque was built in an area very popular in the Tulip Period at Kagithane and not in traditional districts of Istanbul such as the historic peninsula Uskudar or Eyup. This unusual choice of location is a reflection of the characteristics of its time. At the second half of the century new and different concepts in architecture were assessed in the Ottoman land and especially in urban Istanbul. Tulip Period was a period when western influences were first and naively flourished in the built environment. For the first time decoration program outside of the classical canon of Ottoman architecture were witnessed on details of the decorative elements such as doors windows and inscriptions and fountains as the focus of urban space were set at the centers of the squares and construction activity gained pace extramuros. The most fascinating work of the period is the Sa'adabad Palace built outside the historic peninsula by the Kagithane Creek. Sa'dabad Mosque was built in 1135/1722 within the Sa'dabad Palace. It was repaired at the times of Selim III (HD. 1789-1807) and Mahmut II (HD. 1808-1839). The original architecture of the mosque is unknown. Because the existing mosque was rebuilt by Abdulaziz (HD. 1861-1876) in 1279/1862 it is identified as the Aziziye Mosque after the Sultan Abdulaziz as well. The architect of this last mosque is the Balyan Family who had significant role at the construction activity of the period. It is accepted that Architect Sarkis Balyan together with his brother Agop Balyan were responsible from the construction.

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