Radyo Televizyon ve Sinema Bölümü Koleksiyonu

Permanent URI for this collectionhttps://hdl.handle.net/20.500.12469/64

Browse

Browsing Radyo Televizyon ve Sinema Bölümü Koleksiyonu by browse.metadata.publisher "Routledge Journals, Taylor & Francıs Ltd"

Filter results by typing the first few letters
Now showing 1 - 2 of 2
  • Thumbnail Image
    Article
    Citation - Scopus: 2
    Accented Essays: Documentary as Artistic Practice in Contemporary Audiovisual Works From Turkey
    (Routledge Journals, Taylor & Francıs Ltd, 2019) Akçalı Kuyucu, Elif
    This article looks at the use of documentary filmmaking in contemporary artistic practices in Turkey, specifically focusing on three works that adopt a first-person, subjective viewpoint: Didem Pekun's Of Dice and Men (2016), Sener ozmen's How to Tell of Peace to a Living Dove? (2015), and Aykan Safoglu's Off-White Tulips (2013). Made by artists in transition, these films tackle themes of belonging and identity through stylistic choices proper to essayistic filmmaking, which allow these works to be regarded as accented essays. The personal questions raised through the aesthetics they employ become relevant to collective issues of culture, history, and memory, offering an alternative understanding of the social context, which was largely affected by the political events during the period in which they were made.
  • Thumbnail Image
    Article
    Citation - WoS: 4
    Citation - Scopus: 2
    The Collector's World
    (Routledge Journals, Taylor & Francıs Ltd, 2020) Diken, Bülent; Laustsen, Carsten Bagge
    The article discusses the figure of the collector. We start with positioning the collector in relation to a lack, emphasizing that collecting is not about aesthetic beauty, pleasure or even perfectness, but primarily about filling a gap. The collection itself is merely a by-product of the desire to collect. Discussing how this desire is socially mediated, we move on to contextualizing the collector in relation to the distinction between the useful and the useless. We stress, in this context, that collecting is an inoperative praxis. This is followed by a discussion of the collector's psychopathology in terms of affects and interpassivity. Finally, we turn to the history of the collector and to collecting as a field in sociological terms, and end with articulating a typology of the collector.