Manav, Banu
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Manav, B.
Banu, Manav
Banu Manav
MANAV, Banu
MANAV, BANU
Manav, Banu
M.,Banu
BANU MANAV
B. Manav
Manav B.
M., Banu
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Banu MANAV
Manav,Banu
Manav, BANU
Baybars Hawks, Banu
manav, banu
Banu, Manav
Banu Manav
MANAV, Banu
MANAV, BANU
Manav, Banu
M.,Banu
BANU MANAV
B. Manav
Manav B.
M., Banu
Manav,B.
Banu MANAV
Manav,Banu
Manav, BANU
Baybars Hawks, Banu
manav, banu
Job Title
Prof. Dr.
Email Address
Main Affiliation
Interior Architecture and Environmental Design
Status
Current Staff
Website
ORCID ID
Scopus Author ID
Turkish CoHE Profile ID
Google Scholar ID
WoS Researcher ID
Sustainable Development Goals
5
GENDER EQUALITY
2
Research Products
7
AFFORDABLE AND CLEAN ENERGY
1
Research Products
16
PEACE, JUSTICE AND STRONG INSTITUTIONS
6
Research Products
17
PARTNERSHIPS FOR THE GOALS
1
Research Products
Documents
20
Citations
482
h-index
9
Documents
0
Citations
0
Scholarly Output
32
Articles
15
Views / Downloads
454/2560
Supervised MSc Theses
8
Supervised PhD Theses
0
WoS Citation Count
147
Scopus Citation Count
190
WoS h-index
5
Scopus h-index
6
Patents
0
Projects
0
WoS Citations per Publication
4.59
Scopus Citations per Publication
5.94
Open Access Source
19
Supervised Theses
8
Google Analytics Visitor Traffic
| Journal | Count |
|---|---|
| Physical Review Research | 2 |
| Color Research & Application | 1 |
| Creative Industries Journal | 1 |
| Frontiers in Psychology | 1 |
| Journal of Asian Architecture and Building Engineering | 1 |
Current Page: 1 / 2
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Scholarly Output Search Results
Now showing 1 - 10 of 32
Article Citation - WoS: 12Citation - Scopus: 15Preference for Accent and Background Colors in Interior Architecture in Terms of Similarity/Contrast of Natural Color System Attributes(WILEY, 2021) Juan, Serra; Gouaich, Yacine; Manav, BanuColor combination criteria are said to entail an affective response in interior design. We investigated the color combination criteria that orient the preference of current observers, after Le Corbusier's 1931 Salubra keyboards. We explored the similarity/contrast in Natural Color System (NCS) hue, blackness, and chromaticness in 312 combinations with four colors, two backgrounds and two accent colors, coming from 43 individual colors, on the walls of a simulated interior of a bedroom from the Swiss Pavilion (Le Corbusier, 1930-1931). Participants were 644 students of architecture and interior design in Western Europe and Near East, who evaluated with a Likert scale their preference for virtual images via an online survey. Results indicate that the most preferred color combinations are those with hues closer in the color wheel, being the similarity between hues in the backgrounds more important than in the accent colors, and with NCS B30G to G as the most preferred hues. Observers preferred color compositions with blackness under 10% and similar blackness between the two background colors, together with a certain blackness contrast between these background colors and the two color accents. Similarly, observers liked color compositions with low chromaticness and low chromaticness difference among the four colors of the composition.Article Citation - WoS: 4Framing the Russian Aircraft Crisis: News Discourse in Turkey's Polarized Media Environment(Uluslararası İlişkiler Konseyi Derneği, 2018) Özçetin, Burak; Baybars Hawks, BanuThis article analyzes the way in which the downing of a Russian aircraft by a Turkish F-16 jet on 24 November 2015 was framed by pro-government (Turkiye Yeni Akit Yeni Safak) and anti-government (Cumhuriyet) newspapers. Framing means selecting some aspects of a perceived reality and making them more salient in a communicating text. News frames give us definitions and identify those responsible for an event make moral judgements, and propose solutions to problems. The analysis of the news frames utilized by four newspapers underlines the fact that in a polarized media environment news frames are highly politicized and the distinction between news frames and official discourse is frequently blurred.Conference Object Digital Citizenship From Below: Turkish State Versus Youtube(Int Business Information Management Assoc-Ibima, 2018) Baybars Hawks, Banu; Akser, MuratThis study aims to give a historically situated analysis of the YouTube ban as seen by Turkish internet users during the first YouTube ban period between 2007-10. The content is used from online Turkish anonymous user platform, eksi sozluk, (sour dictionary). The aim is to test whether there is a civil society response to the ban which political elites and ordinary citizens contest the necessity of access to global social media networks. The main focus of this research paper is the kinds of discourse the Turkish online community used to protest the ban during the first YouTube ban. Through a combination content analysis and discourse analysis the bloggers reactions are coded and indexed to decipher the discourse produced as an active resistance/criticism against the YouTube. The response to YouTube ban that come from Turkish internet users (from below) and was critical in times of global events effecting the usage of internet and was not silenced between these events. As long as they remained anonymous (not organized action) Turkish bloggers utilized their rights for online expression. Frequency of critical blog entries increase in times of events critical of government's YouTube ban. The response to the ban is either based on condemning it or offering ways around the ban; but not calling for united action. Anonymity of the user increases the level of criticism and participation. Finally, both the government authorities and NGOs expect individual action but demand organized corporate actionArticle A Design Education and Application Center To Support Creative Industries(Taylor & Francis Ltd, 2024) Manav, BanuAs the importance of creative industries has become widespread, creative-cultural economy policies have become a priority area worldwide. In this context, this report describes a project planned and built to develop a model for platforms that would bring together public, private, and academic institutions. It describes how this model, designed to support research and design-based work in the field of interior design, was developed. The main motivation in this project is to become an important meeting point to feed creative industries' ecosystem in Istanbul with the education-workshop-incubation model. It also aims to supply an environment of interaction for academics, design centers, entrepreneurs, and students. After one and a half years, it has become a digital and physical meeting point for university-sector representatives. An effective knowledge and technology transfer network has been set up. A scientific research project has been written and approved. In this way, the center will start to become a place for interdisciplinary design research. Scientific publications were prepared, presented at congresses, national and international panels, trainings were given, scientific publications were prepared and published, and efforts were made to increase the impact of the center on the importance of design research culture and high value-added design.Article Citation - WoS: 92Citation - Scopus: 116Media and Democracy in Turkey: Toward a Model of Neoliberal Media Autocracy(2012) Baybars Hawks, Banu; Akser, MuratThis paper reveals the ways in which media autocracy operates on political, judicial, economic and discursive levels in post-2007 Turkish media. Newsmakers in Turkey currently experience five different systemic kinds of neoliberal government pressures to keep their voice down: conglomerate pressure, judicial suppression, online banishment, surveillance defamation and accreditation discrimination. The progression of restrictions on media freedom has increased in volume annually since 2007; this includes pressure on the Dogan Media Group, the YouTube ban, arrests of journalists in the Ergenekon trials, phone tapping/taping of political figures and the exclusion of all unfriendly reporters from political circles. The levels and tools of this autocracy eventually lead to certain conclusions about the qualities of this media environment: it is a historically conservative, redistributive, panoptic and discriminatory media autocracy.Master Thesis Kurumlarda İs Etigi İlkelerinin Calisanlarin Gozunde Kurumun İtibarina Etkisi(Kadir Has Üniversitesi, 2015) Baskın, Hazal; Baybars Hawks, BanuBu calismanin amaci is etigi ilkelerinin calisanlarin kurumsal itibar algisi uzerindeki etkisinin boyutunun belirlenmesi ve bu konuda kurumlara oneriler sunulmasidir. calismanin evrenini Yapi Merkezi Ýnsaat ve Sanayi A.s. ve SK Engineering & Construction Co. Ltd. sirketi olusturmaktadir. Ýs etigi ve kurumsal itibar iliskisini olcmek amaciyla bu kurumun calisanlari ile anket calismasi yapilmis ve verilen cevaplar degerlendirilerek bir olcum yapilmistir. calisma sonucunda is etigi ve guvenilirlik algisi arasinda pozitif yonlu bir iliski tespit edilmistir. calisanlarin kuruma olan guvenilirlikleri yukseldikce is etigi ilkelerinin isleyisine olan guvenleri de yukselmektedir. Demografik olarak ise gelir duzeyi yuksek olan calisanlar kurum hakkinda daha cok bilgiye sahiptirler. Dolayisiyla gelir durumu ve kurum hakkinda bilgi sahibi olma arasinda pozitif bir iliski mevcuttur.Conference Object Digital Crime and Punishment: Turkish Online Journalism Under Siege(International Institute of Informatics and Systemics IIIS, 2012) Baybars Hawks, BanuTurkish mass media since its beginnings in late 19th century has aimed to gain its role as the fourth estate in Turkish political scene. The freedom of press has been at the paramount of discussions since the foundation of the Turkish Republic in 1923. Between 1980 and 2000 Turkish media grew more and more liberal and was able to express discontent publicly exercising its checks and balances function. On the other hand the conservative majority of AKP government the governing party in Turkey brought back pressures on the Turkish media since the 2000s. Digital media as the new developing platform in Turkey for expressing rights and freedoms is under siege by government as well. The government's definition of digital crime and punishment is mostly unnoticed by the average citizen but despised by the young population. This paper intends to show the invalidity of disproportionate use of punishment and illegitimate definition of cybercrime in contemporary democratic systems that target online media professionals and outline how Turkish authorities can reverse the process by adopting alternative strategies of prevention. Under this perspective it also assesses the compliance of Internet legislation and practices in Turkey with Article 19 of the Universal Declaration of Human Rights Article 10 of the European Convention on Human Rights as well as the case law of the European Court of Human Rights.Article Citation - Scopus: 3Will peace flourish in the end? The history of suffering: Terrorism in Turkey(2013) Baybars Hawks, BanuFor the past 30 years, the PKK has launched a campaign of terror in Turkey. Despite the rise and fall of attacks throughout the years, the PKK's terrorist activities have never completely ended. Through the recent initiative of the Turkish government, negotiations focusing on pacification have been launched with the leader of the PKK, Abdullah Öcalan, who is still in prison on Imrali Island. We have yet to see the outcome of this process. Terrorism is not simply about killing people; it is about destroying the population's sense of well-being and trust in the government. In addition to the casualties and physical pain caused directly by an attack, the normal reaction to an unfamiliar and life-threatening event - fear, stress, worry, grief and confusion -also inflict suffering and social pain. In a world where information and communication play a key part, terrorists try to achieve the maximum possible media impact by the violent acts they commit. So when we define terrorism, we have to keep in mind that a three-way relationship exists between the main protagonists: terrorists want something from the government and work to achieve it through the agency of public opinion by seeking to terrorize the public at large in the most spectacular way possible. Public opinion in turn is influenced by the media which sometimes produces exaggerated accounts of terrorist events. This paper will seek to examine how this three way relationship has developed during the negotiation process with the PKK in Turkey. It will investigate how the ruling government (AKP) initiated the process, how public opinion has been formed in such an environment and whether it has influenced the government's policies and decisions in regard to this issue. It will also explore how the media has reacted during this process. It is the author's hope that the findings will be useful for policy-makers, media scholars, and academicians, as well as lay readers interested in the topic.Article Who Sets the Agenda in Turkey? Recent Political and Social Trends in Turkish Public Opinion(Common Ground Research Networks, 2015) Baybars Hawks, BanuIn terms of scholarly research and understanding the national social and political systems and policies the need exists for an empirical assessment of recent trends in public opinion in Turkey. Accordingly the current study seeks to fill the gap in the social sciences literature in English regarding Turkey's social and political stand which may be perceived to be very different by other nations. Without timely feedback from public surveys various programs for improving different services and institutions functioning in the country might not achieve their expected goal nor can decisions about which programs to implement be made rationally. Additionally the information gathered may not only yield important insights into public opinion regarding the current agenda in Turkey but also into how it correlates to shaping public policies. In analyzing data from the Social and Political Trends in Turkey survey this research seeks to address a new insight in the social sciences literature. © Common Ground Banu Baybars Hawks All Rights Reserved.Master Thesis Social Media and the Spectacle of the Maternal Identity: a Research on Instagram(Kadir Has Üniversitesi, 2023) AKTAŞ, ALİ BAĞDAŞ; Baybars Hawks, Banu; Keleş, Özlem TuğçeSocial roles and judgements influence the way people perceive and spectacle their identities. Social media is a digital space for people's identity spectacle. Instagram is a platform for sharing images more than text sharing. For this reason, Instagram is a convenient platform to examine identity spectacles in the context of the theory of the society of spectacle. Some of the high follower Instagramers represent themselves with maternal identity. In addition, mothers also interact with each other on Instagram. This interaction creates an area for social roles and judgments. Instagram user are women who have children; while spectacle their maternal identity, they can be influenced by accounts with high followers or each other. This research investigated these reflections in the following problematics: whether the identity of maternity is instrumentalized as a spectacle; or provides a field where women can express themselves digitally. This research aims to contribute to the literature and raise awareness about the use of social media. The problem of the research is "How does following maternity-related Instagram accounts influence how women with children perceive and spectacle their identities as mothers?". The study targets Instagram user women with at least one child – children must be under 18 years of age -. The data were obtained from the survey results conducted with random sampling and the in-depth interview with snowball sampling. The data obtained from the in-depth interviews were interpreted with content analysis in the results section. According to the research, it has been determined that social judgments reflected on Instagram create ideal and acceptable mother patterns. As a result, the way mothers perceive and spectacle their maternal identity is shaped in this context. It has been determined that this situation creates a difference between appearance and what is actually experienced, and the maternal identity is instrumentalized as a spectacle.
