Banu Manav

Manav, Banu

Name Variants

Manav, B.
Banu, Manav
Banu Manav
MANAV, Banu
MANAV, BANU
Manav, Banu
M.,Banu
BANU MANAV
B. Manav
Manav B.
M., Banu
Manav,B.
Banu MANAV
Manav,Banu
Manav, BANU

Job Title

Prof. Dr.

Email Address

banu.manav@khas.edu.tr

ORCID ID

0000-0002-0709-5570

Scopus Author ID

7801349425

Full item page

Scholarly Output

6

Articles

6

Citation Count

22

Supervised Theses

0 Scholarly Output Search Results

Now showing 1 - 6 of 6

Citation Count: 0
A design education and application center to support creative industries
(Taylor & Francis Ltd, 2024) Manav, Banu
As the importance of creative industries has become widespread, creative-cultural economy policies have become a priority area worldwide. In this context, this report describes a project planned and built to develop a model for platforms that would bring together public, private, and academic institutions. It describes how this model, designed to support research and design-based work in the field of interior design, was developed. The main motivation in this project is to become an important meeting point to feed creative industries' ecosystem in Istanbul with the education-workshop-incubation model. It also aims to supply an environment of interaction for academics, design centers, entrepreneurs, and students. After one and a half years, it has become a digital and physical meeting point for university-sector representatives. An effective knowledge and technology transfer network has been set up. A scientific research project has been written and approved. In this way, the center will start to become a place for interdisciplinary design research. Scientific publications were prepared, presented at congresses, national and international panels, trainings were given, scientific publications were prepared and published, and efforts were made to increase the impact of the center on the importance of design research culture and high value-added design.
Citation Count: 8
Assessing architectural color preference after Le Corbusier's 1931 Salubra keyboards: A cross cultural analysis
(Higher Education Press Limited Company, 2021) Manav, Banu; Juan, Serra; Gouaich, Yacine
Color preference for the interior of a bedroom of Le Corbusier's Swiss Pavilion was studied using 1931 Salubra color keyboards in a cross-cultural analysis. Results indicate that students from architecture and interior design slightly dislike or are indifferent to Le Corbusier color combinations and prefer pale and low saturated colors for interior architecture. The least preferred colors belong to green and brown hues. Scarce significant gender differences are found that follow a stereotyped tendency, with females preferring pinks, light blues and light greens, while males vivid oranges and Vermilions. Near Easterners are significantly more likely to green colors, while Western Europeans to dark greys. These data indicate that not only hue, but also value and saturation are important color features to inform preference for interior architecture.
Citation Count: 7
Extrapolating continuous color emotions through deep learning
(Amer Physical Soc, 2020) Manav, Banu; Schaposnik, Laura P.; Konstantinou, Nikos; Volkan, Eliz; Papadatou-Pastou, Marietta; Manav, Banu; Jonauskaite, Domicele; Mohr, Christine
By means of an experimental dataset, we use deep learning to implement an RGB (red, green, and blue) extrapolation of emotions associated to color, and do a mathematical study of the results obtained through this neural network. In particular, we see that males (type-m individuals) typically associate a given emotion with darker colors, while females (typef individuals) associate it with brighter colors. A similar trend was observed with older people and associations to lighter colors. Moreover, through our classification matrix, we identify which colors have weak associations to emotions and which colors are typically confused with other colors.
Citation Count: 1
Effects of color cues on eye-hand coordination training with a mirror drawing task in virtual environment
(Frontiers Media Sa, 2024) Manav, Banu; Mughrabi, Moaaz Hudhud; Manav, Banu; Batmaz, Anil Ufuk
Mirror drawing is a motor learning task that is used to evaluate and improve eye-hand coordination of users and can be implemented in immersive Virtual Reality (VR) Head-Mounted Displays (HMDs) for training purposes. In this paper, we investigated the effect of color cues on user motor performance in a mirror-drawing task between Virtual Environment (VE) and Real World (RW), with three different colors. We conducted a 5-day user study with twelve participants. The results showed that the participants made fewer errors in RW compared to VR, except for pre-training, which indicated that hardware and software limitations have detrimental effects on the motor learning of the participants across different realities. Furthermore, participants made fewer errors with the colors close to green, which is usually associated with serenity, contentment, and relaxation. According to our findings, VR headsets can be used to evaluate participants' eye-hand coordination in mirror drawing tasks to evaluate the motor-learning of participants. VE and RW training applications could benefit from our findings in order to enhance their effectiveness.
Citation Count: 3
A proposal on residential lighting design considering visual requirements, circadian factors and energy performance of lighting
(Taylor & Francis Ltd, 2023) Manav, Banu; Manav, Banu
This study assesses residential areas which have been converted into workplaces and are still used after the Covid-19 in terms of visual, non-visual, and energy performance requirements of lighting. We proposed a lighting design using LED systems with dimmable and tuneable features. Circadian factors in WELL Building Standard are analyzed for compatibility with the current visual requirements. The impact of various design parameters on lighting energy consumption, including daylight availability, lighting schedules, lighting control strategies, and light reflectance value of walls is evaluated through a case study in Turkey. Although the annual lighting energy consumption is higher than it was before the pandemic, building energy simulation results show that the application of LED systems with lighting energy measures can improve lighting energy performance by up to 38%. From the non-visual dimension of light, our data indicate that higher melanopic illuminance and/or colour temperature of light sources are necessary to entrain and sustain the circadian rhythm under overcast sky conditions in winter months. On the other hand, an increase in luminous intensity can lead to glare and higher energy consumption while a higher colour temperature may affect the physiology and psychology of occupants negatively.
Citation Count: 3
Preference for accent and background colors in interior architecture in terms of similarity/contrast of natural color system attributes
(WILEY, 2021) Manav, Banu; Gouaich, Yacine; Manav, Banu
Color combination criteria are said to entail an affective response in interior design. We investigated the color combination criteria that orient the preference of current observers, after Le Corbusier's 1931 Salubra keyboards. We explored the similarity/contrast in Natural Color System (NCS) hue, blackness, and chromaticness in 312 combinations with four colors, two backgrounds and two accent colors, coming from 43 individual colors, on the walls of a simulated interior of a bedroom from the Swiss Pavilion (Le Corbusier, 1930-1931). Participants were 644 students of architecture and interior design in Western Europe and Near East, who evaluated with a Likert scale their preference for virtual images via an online survey. Results indicate that the most preferred color combinations are those with hues closer in the color wheel, being the similarity between hues in the backgrounds more important than in the accent colors, and with NCS B30G to G as the most preferred hues. Observers preferred color compositions with blackness under 10% and similar blackness between the two background colors, together with a certain blackness contrast between these background colors and the two color accents. Similarly, observers liked color compositions with low chromaticness and low chromaticness difference among the four colors of the composition.